Giuseppe Tornatore’s romantic ode to the movies charmed America, convincing theater-goers that little Italian kids are the cutest in the world. Little Salvatore Cascio grows up in a projection booth under the life-tutelage of kindly Philippe Noiret. Arrow presents the theatrical version of this Best Foreign Picture Oscar winner in 4K Ultra HD. The…
All hail the cinematic delights of Luis Buñuel, a world-class directing genius whose work ranges from insightfully impish to point-blank outrageous. Driven from Spain by Fascists and from New York by commie hunters, he found a cinematic haven in Mexico, adapting his surreal mindset to popular film forms. These final three French features embrace…
Cornel Wilde’s directorial follow-up to his superb The Naked Prey was hot stuff in its day, a war movie with an unexpected emphasis on brutality and gore. Rip Torn bears down too hard on his stock character, while Wilde’s attempts to pull off associative thought memory montages come off as amateurish. But the movie…
This show has everything going for it, in fact, it has TOO much going for it: tragic drama, silly comedy, bland heart-tugs and saucy romance. Everybody’s working across purposes, with ‘stunt’ guest star Bobby Darin preening for awards attention. Angie Dickinson, Tony Curtis and Eddie Albert are terrific but are acting in different movies;…
What we know as Chino is a Charles Bronson star vehicle all the way, and less interesting as a western than for explaining the state of the film business in the early 1970s. A good coming of age story is reshaped to appeal to Bronson fans, while the formerly front rank director John Sturges…
Instead of a second review today I offer this end-of-the-year CineSavant Article suggested by some American-International promotional graphics from late 1961, saved by collector Bill Shaffer. It’s a fun ‘what is that movie?’ puzzle geared to specific fan curiosities. The target audience is the crowd that remembers reading ‘coming to your theater soon’ notices…
If you’re after real nonconformist filmmaking with a political bent, Shohei Imamura’s daring and often sexually candid pictures fit the bill. Arrow gathers three of his best from the 1980s, the international success The Ballad of Narayama, the stunning Hiroshima aftermath drama Black Rain and the largely unseen, often wickedly funny Zegen. Each is…
The Train is back, now at popular prices! The fan base for John Frankenheimer’s incredibly elaborate Occupation thriller is growing exponentially. The railroad and military hardware on view is 100% real, something that CGI-jaded moviegoers appreciate more than ever. Great acting and a terrific storyline propel a tale of sabotage into the top level…
Billy Wilder’s first big Oscar winner holds up as fine work in every respect, and serves as evidence of the writer-director’s moviemaking instincts at a time when he could do no wrong. Starring Ray Milland as a self-destructive alcoholic, Wilder and Charles Brackett manage to retain much of the sordid truth and nightmarish horror…
Carl Franklin’s adaptation of the great Walter Mosley novel still plays like a winner. Denzel Washington’s star quality and acting prowess shine from the smart & handsome production, with Tak Fujimoto cinematography that put the color back into ’90s filmmaking. Everybody’s good and Don Cheadle’s loose-cannon henchman ‘Mouse’ is exceptionally so. There’s plenty to…
First films of important directors usually feel like warm-ups, but not so this suspenseful story of ‘twilight’ people living in and around casinos. Paul Thomas Anderson writes and directs in a style that guarantees our full attention at all times. Philip Baker Hall, John C. Reilly, Gwyneth Paltrow and Samuel L. Jackson assay riveting…
RKO polished Robert Mitchum’s post- pot bust image with this swell-guy romantic Christmas tale, placing him opposite the drop-dead desirable Janet Leigh. All the penniless Mitchum must do is win over Leigh’s son, get around her fiance Wendell Corey, and then make her forget her dead soldier husband. Plus keep up the Christmas spirit….
Criterion refreshes a bona fide classic with a new remaster and makes their release especially attractive with some well-chosen extras that give us first-person input from writer John Patrick Shanley and star Cher. The show isn’t technically a holiday movie but it plays really well at family gatherings. Heck, even Cher says ‘she can…
Do audiences ever ask for a History Lesson? Robert Altman gives them a smart, if diffuse, image of America as a showbiz invention, commercialized and packaged. Paul Newman is the prepackaged white hero surrounded by a jolly circus; Buffalo Bill’s trick seems to be to get his colleagues, the dispossessed minorities and especially the…
Robert Aldrich promised no-holds barred rough-tough dramas, and his first two Associates & Aldrich productions certainly hit hard. This play adaptation shows its director’s strength (no-flinching full shock impact) and weakness (theatrical overplaying) in full measure, but the unrestrained performances of Jack Palance and Eddie Albert are unforgettable. The main event can’t have pleased…
This adapted Broadway play may be considered minor John Ford moviemaking, and some sources say he had to drop out before he could film very much of it. But what’s on the screen pleased audiences primed for the first wave of WW2 nostalgia. The story of cargo officer Henry Fonda’s one-man war against his…
More Keaton is always a good thing — fans of The General and The Cameraman will find plenty to enjoy in these two classics. Buster befriends a cow ( ! ) in Go West and conquers several sports in College. Cohen’s Buster Keaton Collection series is up to Volume 4, with both shows featuring…
Criterion lets out the stops to celebrate a filmmaker long due for some victory laps — Claudia Weill’s endearing drama takes on the subject of a modern woman trying to be independent but human in the tough art world of New York. The Movies was a hard field to crack as well. Criterion says…
Double your Diabolik and double your pleasure! … this Australian import chases a domestic disc onto the market after only a few months, but of course comes with irresistible new extras to tempt collectors and completists. Mario Bava’s funny, dynamic action thriller was the first feature to really capture the graphic art ‘feeling’ of…
Talk about the Lost Arts — Animation of various kinds, even stop-motion, is now a major part of filmmaking entertainment. But back in the 1940s the wonder man for ‘how’d they do that’ Technicolor marvels was George Pal, a grateful displaced European who made marvelous ‘trickfilm’ animations using little wooden puppets with hundreds of…
In 2001 I wrote, ‘Someday I’ll get to see a good copy of Robert Aldrich’s great movie Apache.’ Kino’s excellent new Blu-ray of a recent MGM remaster brings back the color and the correct screen shape, and even cleans up some wicked frame damage that’s been there for sixty years. The athletic Burt Lancaster…
CineSavant’s hands-down favorite holiday film, this Ernst Lubitsch classic radiates human kindness in all directions. Nobody is perfect: misunderstandings benign and profound are the gentle impetus for a sweet story that will renew one’s belief that people are basically good. It’s James Stewart’s best pre-war performance, as he fits his character so perfectly; as…
Hammer’s first color Gothic horror show recovers its charnel house luster in the WAC’s ambitious ‘surprise’ restoration. The severed heads and Peter Cushing’s blood-smeared costumes are back to their crimson best again, and with the improved image Terence Fisher’s taut direction really grabs us, extracting maximum impact from Jimmy Sangster’s ‘did you see that?’…
Several atom-fear exposés bravely ‘told the truth’ about the madness of the nuclear standoff. They didn’t get more liberal-precious than this uncompromising, difficult-to-watch ordeal based on a true incident. When an Imminent Attack alarm sends a tiny elementary school into a panic, Frank and Eleanor Perry pull no punches, finding the worst possible outcome…
The new [Imprint] label turns its attention to the Sam Peckinpah favorite, the almost-classic that suffered a number of setbacks — a studio regime change, impractical remote locations, the wrong producer — and a director with zero diplomatic skills, who couldn’t finish his script and fought political battles when his movie needed his full…
John Schlesinger’s adaptation of Nathanael West’s novel is one of the best ‘Hollywood on Hollywood’ pictures ever, even if it soaks everything about The Golden Age of Tinseltown in an acid bath of cynicism. The perverse dystopia of dreams and vice is beautifully rendered in every respect, and culminates in a finale that caught…