Bring back the Age of Aquarius! Olive Films returns with the company’s best Signature Edition ever. The show is an excellent choice for a special edition, as seen by the simply terrific interviews in its battery of added value featurettes. Top creative contributors have been tapped for some great memories. Rather than filming a simple…
Vincente Minnelli took time out from expensive MGM shows like Gigi to knock off this tale about the London debutante season, a light-comedy Cinderella story without satire or social comment. Young Sandra Dee and John Saxon come off well, but the show belongs to stars Rex Harrison and especially Kay Kendall, whose comedy timing and…
Bert I. Gordon rides again with an excellent encoding of one of his more popular sci-fi monster-ramas. Pert ‘n’ perky June Kenney is so brave that she keeps going back to ‘that old cave outside of town’ despite not knowing how many giant spiders are on the loose. Teenagers in their thirties and their…
It’s a Larry Blamire film, and it’s composed of entirely NEW and UNIQUE elements: a lonely mansion, strange servants, the reading of the will, weird heirs, death threats, snoopy reporters, a midnight seance, mysterious locked rooms, the clutching hands of a phantom menace, and the ultimate terror, Kogar the mighty ape. All new, right? This…
The beguiling short-story feel of Paul Dano’s intimate family drama makes us share the experience of a teenager whose parents are ‘going through a rough patch’ that may break up the only security he’s known. The performances of Jake Gyllenhaal, Carey Mulligan and especially young Ed Oxenbould are low-key and high-intelligence; each seems a study…
Will there even be an Olympics in our foreseeable future? Kon Ichikawa’s 1964 masterpiece is still the most spectacular/intimate film about human athletics ever, a celebration of the human body and its abilities. An epic for people that don’t necessarily like sports, it’s less a documentary of the event than a collection of moving impressions….
Don’t call them Bad Movies — when something’s this enjoyable, other verbal put-downs are more appropriate. This low-grade German sexploitation horror pic spent its full budget on its roster of frisky Berlin showgirls. After years of study, experts have finally proven that it was filmed with a camera. Severin’s special edition does justice to a…
Romantic comedies became coy sex chase comedies in the early 1960s, once Doris Day made ‘professional virgin’ a Hollywood career. This mistaken identity/crossed prevarications farce is better than most, thanks to charming performances by Jane Fonda and Rod Taylor, and a fine script by Norman Krasna, from his play. The story doesn’t dance around the…
Mill Creek again dips into exotic Japanese sci-fi fantasy, and this time scores with the desired language choices and subtitle configurations for these spectaculars from the beginning of Toho’s strongest period. The H-Man is a stylish gangster-horror melange about a radioactive slime that cheerfully transforms Guys ‘n’ Dolls into living goo. Then, a Battle in Outer Space…
Today’s noir forecast is vice, kidnapping, murder, suicide, narcotics and a sleazy stolen baby racket! Kino’s third volume of Universal-International pix contains two seldom-screened quality urban noirs. Expect genuine dark themes in these sizable-budget location noirs made before Universal pulled most production back onto its one-size-fits-all backlot sets. Barbara Stanwyck dominates one show, while noir…
This thinking man’s epic got left behind with the demise of Road Show movies, which is a shame. A beautifully made, uncompromised story of warring 17th century Germany, it plays like a fine epic, with great performances. Audiences didn’t want to see Michael Caine as this kind of character in a costume drama that wasn’t…
Talk about a film whose time has come … Paul Mazursky’s ode to womanly liberation takes a sensible, gentle approach. Yes, the husband was a total jerk, and so is the first man Jill Clayburgh’s Erica turns to in need. What’s more important is the feeling of empowerment on the personal intimate level: it’s okay…
John Hughes’ breakthrough writing-directing hit still carries a glow (a very square, safe glow) that defuses its rougher edges, making it one of the best of ’80s Teen comedies. Even the savvy Soraya Roberts cuts it some slack, thanks to the authentic presence and fine performance of Molly Ringwald. Hughes’ amusing script comes up with…
Fritz Lang’s final feature brings his career full circle to the core thriller concepts he pioneered back in 1922: superstitious human nature and sinister technological advances combine to make the 20th century an Age of Terror. Lang reboots his highly cinematic Weimar-era narrative tricks for a film that heralds the beginning of a brave new…
John Cassavetes’ breakthrough picture (filmed in 35mm, wow!) gets the Criterion treatment, with fine new extras that take us back to a moment when the American Independent movement broke through to the big theaters, with bigger stars. It’s 142 minutes of intense improvisation during which Cassavetes, Ben Gazzara and Peter Falk challenge, tease and bully…
Skipped this one because it’s by Spielberg? The 9/11- inflected take on H.G. Wells’ classic reproduces thrills from the book not captured in George Pal’s 1953 atom-age update. For this reviewer it was a big surprise — a Tom Cruise movie in which he plays an appropriately terrified character instead of his annoying big star…
Myopic Harry Palmer, the great cook, lover and reluctant spy returns to where his trouble with the British Army began. This time he’s tangled up in a political snarl that might have dire consequences: not only are the Russians involved, ex-Nazis are on the payroll. Israel may have an agent in the field, and not…
It’s a Hollywood rags-to-riches tale seen as a cruel coming-of-age story — when Natalie Wood’s feisty street kid becomes a child star, she learns that tinsel town is not only fake, but oppressively evil as well. Cut off from her dotty mom (Ruth Gordon) and surrounded by the sinister minions of studio head Swan (Christopher…
Although only one of these 1950s B&W thrillers falls within a mile of a hard definition of film noir, all give us glamorous actresses in interesting roles. Claudette Colbert takes her turn at playing a nun, Merle Oberon tries a femme fatale role on for size and Hedy Lamarr does very well for herself as…
Oh Joy, Oh Rapture! Mario Bava’s comic book thriller makes the jump to Blu-ray in fine shape, with knockout visuals and eye-popping color. John Philip Law, Marisa Mell, Terry-Thomas and the late Michel Piccoli are all irreplaceable in this one-of-a-kind show. Bava’s film translates action comic fantasy into cinematic terms, pictorial appeal and dynamism intact….
Rip-roaring Oliver Reed’s silver-coated were-beast is one of Hammer Films’ very best screen monsters, which is more than enough reason to sample this colorful 1961 shocker. It was apparently ripped to shreds by the U.K. censors, a horror-crime spared us lucky Americans. The movie has been released more than once on Blu-ray but Shout’s new…
Easy Rider terrifies twenty confused studio executives because they don’t understand it. Hoping to keep their jobs, they rush to hire more longhairs to make movies ‘the kids’ will see. Ex- UCLA film student B.L. Norton parlayed his way into writing and directing on the streets of Los Angeles, with new stars Gene Hackman and…
I’d never heard of this gem of a British production; now it goes on my list of highly recommended titles. A dock area on the Thames is ‘the pool,’ and the sailors that disembark from the cargo ships are susceptible to the temptations of black market trade. A single eventful weekend traces the fates of…
Robert Mitchum intercedes in a range war in this ‘A’ western, and he’s got the pro team of director Robert Wise and cameraman Nicholas Musuraca on his side. All but one action scene plays out at night, which is why this is sometimes called a Noir Western. The dark visuals fit that mold but the…
Great 3-D thrills — Hollywood was working to perfect 3-D movies just as the craze died out. An impeccable Blu-ray 3-D restoration, the glory of young Rock Hudson and some of the best Utah scenery in depth makes this a very enjoyable disc. Director Douglas Sirk was itching to do a western, and the swiftly…
Talk about a worthy title for restoration — somebody up there likes us. Digital tools and film preservation expertise have advanced far enough to revive this marvelous pre-Code comedy-shocker in a form that showcases its wild designs and stylized 2-color Technicolor sheen. Director Michael Curtiz’s adept direction highlights Glenda Farrell’s racy dialogue delivery as…