Articles by Glenn Erickson

Daughters of Darkness

  Finally, a horror shocker that needs to make no excuses! Harry Kümel’s interpretation of the Elizabeth Báthory legend excels in all departments and succeeds in each of its aims. Erotic Eurohorror meets Sternbergian visual decadence, making a vivid (and bloody) statement about classic screen exoticism. Given the full glamour treatment, silky Delphine Seyrig is…

Dementia

  This bizarre, creepy and maudit masterpiece of silent expressionist horror is an independent 1950s production that never had a chance commercially. Butchered by a second distributor, its ignominious fate was to wind up as a movie-within-a-movie footnote for Steve McQueen. Cohen/BFI’s ‘rescue’ remastering of John Parker’s picture does some things great — we never…

Shock Treatment

  French filmmaker Alain Jessua comes up with a commercial thriller with a science-fiction, medical horror twist. Alain Delon and Annie Girardot don’t shy away from some matter-of-fact nude scenes, that serve a legit dramatic purpose. Outside France the sex content was almost the only angle exploited. Beneath the glamour and intrigues at a chic…

Lucía

  The Cuban masterpiece has been restored, and is now viewable on the Martin Scorsese’s World Cinema Project 3 boxed set. Humberto Solás’ nearly 3-hour national epic revisits two earlier revolutions to tell the stories of  three Lucías. The first Lucía is entangled in the war of independence against Spain, and the second opposes the gangland-era…

I, Monster

  It’s Christopher Lee and Peter Cushing together in a horror picture, a formula no shock feature fan can resist. Most of us remember staring at the beautiful full-color photo of Chris Lee in monster makeup in Denis Gifford’s picture book about horror movies. Yet this has remained one of the pair’s most obscure items,…

The Hit

  If you like Euro-crime and haven’t seen this one you’re in for a real treat. English killers are on the road in Spain, executing a hit on a ‘Supergrass’ who’s spent ten years in protective custody. The brilliant cast — Terence Stamp, John Hurt, Tim Roth and Laura Del Sol give the criminal twists…

Joe Kidd

  Clint Eastwood proves again that he Owns the western genre with this odd tale of land reform insurrection and establishment blowback, in New Mexico of 1906. To direct the script by the great Elmore Leonard, Eastwood brought in the western movie legend John Sturges. But Sturges discovered that collaboration now meant acceding to whatever…

The Opposite Sex

This CinemaScope musical remake of 1939’s The Women is highly watchable, especially in this flawless digital remaster. The actresses that bare their claws, compete for husbands and just plain cat-fight are a choice batch, with favorites from the ’50s (June Allyson, Agnes Moorehead) the ’40s (Ann Sheridan, Ann Miller) the ’30s (Joan Blondell, Charlotte Greenwood)…

Claudine

  Easily the best family-oriented black experience movie of the early 1970s, the Third World Cinema Corporation’s first film features Diahann Carroll and James Earl Jones in a funny, endearing saga of life in the welfare system, with human feeling and compassion to spare. But the triumphant socially progressive movie fails the 2020 diversity test…

DeepStar Six

  This big, expensive and well-produced action-suspense Sci-fi epic mostly delivers on its promise to be Aliens at the bottom of the sea. At heart it’s a 1950s pulse-pounder with a bigger monster, a zillion times the budget and a script that does everything but make us care. We appreciate the likable characters but it’s…

The Ipcress File

  It’s finally back on Blu in Region 1, the ‘sixties spy movie beloved by enthusiasts that yearned for something a bit more substantial & nutritious than James Bond. This first Harry Palmer adventure seems even more perfect than when it was thanks to a great espionage recipe and quality ingredients. Michael Caine is sensational…

Brute Force

If you have to name ONE movie that’s not likely to ever be screened in a prison, this one’s a good bet. In his sophomore starring outing Burt Lancaster leads a group of rebel convicts on a do-or-die bust-out against Hume Cronyn’s utter Nazi of a warden Captain. Richard Brooks’ script and Jules Dassin’s direction…

The Secret Ways

Producer-star Richard Widmark may have thought he was inventing a new kind of spy film but his adaptation of an Alistair MacLean novel just grinds the Cold War grist, mixing good atmosphere with unconvincing action derring-do. The handsome production makes good use of Austrian and Swiss locations and the unfamiliar cast is a big assist….

A Place in the Sun

  A bona fide film classic, George Stevens’ movie is less revered as an excellent adaptation of Theodore Dreiser than for its intense, almost hallucinatory romantic scenes between Montgomery Clift and Elizabeth Taylor. A guileless poor boy tries to succeed above his economic background and entangles himself between two very different women. I guess the…

S.O.S. Titanic

  TV’s 1979 Titanic movie comes to Blu in two versions. We liked it when new but didn’t care for the cut-down theatrical version that hit DVD in 2002. Kino’s disc completes a set of various film versions of the infamous 1912 disaster, and allows us the chance for a Titanic ‘battle of the bands’…

Sergeant York

  Ya like quality pro-intervention propaganda?  Warners’ filmic call to arms inspired America’s reluctant warriors via a superhuman feat by a highly decorated WW1 veteran… and promptly got into hot water with the United States congress. Howard Hawks’ highly effective load of sentiment and sanctimony makes Tennesseans look like denizens of Dogpatch, U.S.A.. But America…

The Face at the Window

  And now for something we had read about but never before saw: Tod Slaughter’s highly entertaining murder thriller is stylized in a vintage theatrical format, the Victorian blood & thunder barnstorming drama, originally from 1880 or thereabouts. Slaughter’s refined gentleman is also a crazed killer with a bizarre modus operandi. Everything that happens is…

Warning from Space

  Sci-fi alert!  New classic science fiction discoveries are rare these days, which makes Arrow’s rejuvenation of Japan’s first science fiction tale in color a special item. Fans may need both hands to count the ‘copycat’ elements but Kôji Shima’s epic improves on many of its American predecessors. Despite the star-shaped arts ‘n’ crafts aliens,…

Curse of the Undead

  Ride ’em, rope ’em, bite ’em? Is this ‘Dracula Goes West,’ or ‘Fangs of the High Chapparal?’ The fading Universal-International house of horrors squeaks out a bizarre horror item that one sits through just out of curiosity… are these people serious?  We respect the professionalism of Michael Pate, Kathleen Crowley and Bruce Gordon as…

Eve

  Is Joseph Losey’s elusive, maudit masterpiece really a masterpiece?  Stanley Baker’s foolish lout of a writer ruins his life pursuing the wanton Jeanne Moreau, and it’s hard to tell if she’s punishing him or he’s punishing himself. Losey’s directing skills are in top form on location in Venice and Rome for this absorbing art…

The Elephant Man

  Why is it that, when a horror film achieves something special, both the critics and the public tend to elevate it above and beyond the ‘lowly’ horror genre?  David Lynch’s most humane and sympathetic film still makes our heads spin, and this new 4K remaster renders Freddie Francis’s great cinematography at its best. Lynch…

Christ Stopped at Eboli

  It’s a perfect movie for a dark time: Carlo Levi’s famed novel about a political undesirable became a major Italian miniseries by the great Francesco Rosi, starring the now-legendary Gian Maria Volontè. In Mussolini’s most popular years of make-Italy-great-again Fascism, a dissident is given an indefinite ‘time out,’ an exile to a small town…

Lord Love a Duck

  This mid-‘sixties black comedy from the mischievous George Axelrod defines and dissects ‘crazy California culture’ just as West Coasters were being slandered as godless weird-oh hedonists. It’s partly a sarcastic put-down, citing anecdotal extremes like drive-in churches (how 2020 can you get?), perverse youth encounter groups and mindless beach party movies. But Axelrod’s paints…

The Carpetbaggers

  It’s lurid, it’s soapy, it’s forbidden: where does the line form?  Joseph E. Levine made hay from Harold Robbins’ best seller, with prose that The New York Times said belonged more properly “on the walls of a public lavatory.” So why is the picture so much fun?  When the performances are good they’re very…

Love Me Tonight

  Does a musical have to have big dance numbers, glorious cinematography and stereophonic sound?  I agree with a consensus of critics and fans that this 1932 pre-Code marvel is the best musical romance of all. Maurice Chevalier may be ‘nothing but a tailor’ yet he steals the heart of Jeanette MacDonald’s princess and shocks…

Five Graves to Cairo

  It’s smart, it’s funny, it has a touch of romance… it’s Billy Wilder & Charles Brackett’s entertaining espionage thriller set between the battle lines of the North Africa campaign. Franchot Tone must impersonate a double agent, when the command staff of General Rommel (Erich von Stroheim!) takes over a half-bombed hotel run by the…