Paramount’s catch-all comedy makes zero sense but has a great attitude. It showcases a number of eager funnymen from vaudeville and silent comedies: W.C. Fields, Andy Clyde, Ben Turpin, Hugh Herbert, Billy Gilbert. Top-billed Jack Oakie is in love with Klopstokian lass Angela; all of her fellow citizens are super-athletes, so he brings a bunch…
This noir tries something different: an art expert must play detective to find out why everybody thinks he’s gone insane. Who knew that the most dangerous noir creeps are to be found skulking around a museum gallery? Ex- Warner contractee Pat O’Brien tries out RKO for size, with a screenplay that goes in for arty…
The rapid growth of television came out of the TV Terroir of 1950s America. Almost all TV programming has its roots in that fertile soil. This installment of The Last Reel with Allan Arkush examines the hybrids: family shows that from today’s vantage point are the very definition of anachronistic, all manner of puppets, women…
Pairing wine with movies! See the trailers and hear the fascinating commentary for these movies and many more at Trailers From Hell. This week, we have three James Bond films on the docket along with a wine pairing for each. And, no, Mr. Bond. We expect you to drink. The third film in the Bond…
A shining 4K encoding underscores the heat in Lawrence Kasdan’s ode to cold-blooded murder, committed in the name of sex and greed … and just maybe, love. William Hurt and Kathleen Turner became overnight stars in some of the hottest scenes ever to hit mainstream theaters; Richard Kline’s steamy images and John Barry’s seductive music…
It’s a new branded line for Kino Lorber — English thrillers from the 1940s and ’50s, remastered and looking good. Jean Simmons is tormented by a greedy lover & husband in ‘Cage of Gold,’ and a fanciful Edgar Wallace mystery sees Scotland Yard trying to prevent a murder by a diabolical criminal called ‘The Ringer.’…
Cornel Wilde’s first film for his own production company is a stone classic and a genuine cult item, an organized crime tale that blends sex and sadism as did few films of its day. Richard Conte’s perverse seduction of Jean Wallace is hot stuff, and the creative direction of Joseph H. Lewis and extreme lighting…
Rescued from post-Code censorship, Sinclair Lewis’s critique of medical ethics makes an interesting subject for director John Ford. Ronald Colman and Helen Hayes star; Myrna Loy had a major role until the censors obliterated most of it. But now she’s back: taken from Ronald Colman’s personal print, this 2024 restoration recovers (finally) the original theatrical…
I’ve written about my admiration for writer/director Damian McCarthy’s two previous films, Caveat and Oddity, in this column before. From the very beginning, his work had a personal style that separated it from the general horror film pack, combining a dark visual palette with a love for haunted-looking objects, all set in a modern Ireland…
