Articles by Glenn Erickson

Show Boat (1936)

One of the best and most melodic of filmic transpositions from Broadway, James Whale’s beautifully directed movie showcases all-time great performances by Irene Dunne, Paul Robeson, Helen Morgan, Hattie McDaniel, and Charles Winninger. If you didn’t grow up with an awareness of this 1936 show, it’s because it was tossed in a vault and kept…

The Bolshevik Trilogy 3 Films by Vsevolod Pudovkin

Ready for some good old-fashioned artistic propaganda, Soviet-style Russian filmmakers tried to make film grammar into an emotional-intellectual science, and these pro-Revolution masterpieces by Vsevolod Pudovkin are terrific lessons in cinematic persuasion. The first two commemorate big moments in proletarian revolt. The third heads east to Soviet Mongolia for an even more powerful demonstration of…

Dodsworth

It’s ‘Marriage Story’ circa 1936. Talk about older shows that still pack a dramatic wallop… William Wyler’s most celebrated ’30s film is this Sinclair Lewis adaptation. The Production Code frowned on disrespecting the institution of marriage, but Wyler & writer Sidney Howard keep the divorce theme intact — their well-off couple learn more about each…

Supernatural

Wow! That glorious original poster jumped out at us, making us ask why we couldn’t see this classic-era Paramount horror picture starring the brilliant and glamorous Carole Lombard and directed by the maker of White Zombie.  Well, it’s finally shown up to answer that question on Blu-ray. This fairly insubstantial spiritualist vs. scientist spook show…

Leave Her to Heaven

Freddie Mercury sang that Love Kills, and that’s apparently where Gene Tierney’s coming from in this bizarre domestic noir. Dream wife Tierney is cultured, rich, and drop-dead gorgeous, but hubby Cornell Wilde should have read the small print about her manic possessiveness. Beautiful people, beautiful scenery and Technicolor so bright that even Alfred Newman’s music…

Trail of the Screaming Forehead + The Lost Skeleton Returns Again

Cult nonsense filmmaking finds its Ultimate in Larry Blamire’s pair of monster-rally comedies, that parody classic cheapo sci-fi thrillers. The spot-on spoofery nails the genre’s hyper-earnest characterizations and affectionately stilted acting. The only disconnect are the high production values lavished on these personal films: remastered for reissue, they look and sound almost too good for…

Manon

We can depend on H.G. Clouzot to find people at their most desperate, at their worst. His updated adaptation of Manon Lescaut dissects the trauma of amour fou AND the hypocrisy, opportunism and political horror of postwar France. Resistance fighter Michel Auclair and provincial tart Cécile Aubrey are lovers caught in a web of vice…

The Cranes are Flying

Some classic Russian films are impressive, others are interesting — and this one takes our heads off, as if we were seeing great moviemaking for the first time. Soviet filmmaking under Stalin was locked in the grip of stifling bureaucratic sameness; Mikhail Kalatazov waited until the passing of Joe Stalin to direct with a degree…

Beau Brummell

This remake of Warners’ 1924 John Barrymore feature gives us Elizabeth Taylor in the Mary Astor role, Stewart Granger as the fashion dandy of the Restoration Period, and a scene-stealing Peter Ustinov as a lonely, needy Prince of Wales. The history is still weak, but it at least doesn’t turn Brummell into a typical swashbuckler….

Beau Brummell

This remake of Warners’ 1924 John Barrymore feature gives us Elizabeth Taylor in the Mary Astor role, Stewart Granger as the fashion dandy of the Restoration Period, and a scene-stealing Peter Ustinov as a lonely, needy Prince of Wales. The history is still weak, but it at least doesn’t turn Brummell into a typical swashbuckler….

Inside Moves

Richard Donner’s first feature post- Superman is a complete switcheroo — a small-scale character piece that delivers an impressive lineup of engaging actors. John Savage leads a ‘different’ ensemble of the walking wounded, that congregates at a neighborhood bar. Are friends the best therapy?  The movie has a positive sports theme, and the way its…

My Gun Is Quick

Mike Hammer is in action again!  Well, not exactly. Producer Victor Saville’s third go-round with Mickey Spillane’s famed character doesn’t do the franchise justice. Hammer-philes will be astounded by this thriller’s decidedly un-thrilling thrills: there’s little to connect the inexpressive nice guy Robert Bray with the super-popular, super-violent avenger of the books. Spillane’s original is…

Quai des Orfèvres

Another big title from Henri-Georges Clouzot touches down in Region A. The great director’s first postwar feature dials back the misanthropy — but only a little. It’s a detective tale set in an impressively recreated theatrical milieu, about the tangle of illicit desire that people get caught up in. Ambition, sacrifice, and jealousy figure in…

Semi-Tough

In 1977 Burt Reynolds was on top of the Hollywood world, a bankable star whose popularity knew no bounds. In between his payday Smokey and the Bandit vehicles, he tried working with directors Peter Bogdanovich, Robert Aldrich, Stanley Donen … and with this film, the highly entertaining, somewhat unpredictable Michael Ritchie. The adaptation of Dan…

Teenage Werewolf Spotted 63 Years Too Late

Aw, this was supposed to be a CineSavant Column entry, but it got way out of hand and became an article. We got a looksee at a horror film that’s been just plain unavailable for at least twenty-five years: out of circulation / MIA / a Dead Parrot. And what did we see in the…

Holiday (1938 + 1930)

This classy late-’30s Park Avenue romp gives us Katharine Heburn and Cary Grant at their best; Grant is especially good in a particularly demanding comedy role. The original play is warmed up a bit with comedy touches, and some pointed political barbs slip in there as well. The marvelous acting ensemble gives terrific material to…

Canyon Passage

This great unheralded western is divorced from the usual concerns of law and order and gunslinger protocol. As in most every film by Jacques Tourneur we feel a strong empathy for characters that behave like real people working out real problems. The Oregon Territory is pioneered by imperfect types — opportunists, knaves and hopeful dreamers…

It Started with a Kiss

It’s another big-star MGM romantic comedy, and not exactly a classic. Debbie Reynolds and Glenn Ford pick their way through a travelogue story that seems made of leftovers from I LOVE LUCY, inventing flat-farce gimmicks to sex things up without offending the Production Code. What’s the movie most remembered for?  It features the exotic concept…

Tex Avery Screwball Classics Volume 1

At long last a beautifully restored and mastered selection of a number of cartoon king Tex Avery’s brilliant, innovative and (most of all) hilarious MGM shorts comes to Blu-ray via the Warner Archive, with the implied promise of more volumes to come. Some of his greatest cartoons are included, and many of these shorts have…

Endless Night (Region B)

Why does CineSavant write so many positive reviews, even for films not commonly thought of as even being ‘good?’  Well, I’m about to offend committed fans of this Hayley Mills thriller… it bothered me in such basic ways that I had to watch it twice to make sure I hadn’t missed something important. Hayley Mills…

Parasite

Hipster film folk love a good black comedy, and one that doesn’t hit too close to home can become a big hit. Bong Joon-ho has been making smart, clever movies for years, and this intense satire hit pay dirt, commercially. Neon played their Oscar season cards beautifully as well, with the personable director seemingly omnipresent…

X The Unknown

Hammer’s copycat Quatermass picture stands apart from similar ‘mystery sci-fi monster’ thrillers by virtue of its serious tone and realistic presentation. Talk about a sober semi-docu style: there are no major female roles and the leading character is a mass of radioactive mud. (Is there an election year joke in that?) Hammer found a new…

Roma

Alfonso Cuarón’s labor of love will go down as having changed the delivery norm for top-quality feature motion pictures: unlike most foreign films before, millions had a chance to see the highly-advertised show on Netflix, even if the real life-changing way to see it was the limited 70mm theatrical run. Cuarón’s ode to his upbringing…

Three Fantastic Journeys by Karel Zeman

“Not so much a suspension of disbelief as a suspension of dreary naturalism.” Criterion acknowledges a great filmmaker with this trio of Karel Zeman spectaculars, truly original fantasies that showcase a blend of animation and theatrical effects concocted, confected, perfected half a century before CGI. The Czech filmmakers take us on a prehistoric safari, on…

The Criminal

Gangland London, 1960: Expatriate director Joseph Losey gives the Brit crime film a boost with a brutal gangster tale starring the ultra-tough Stanley Baker — and seemingly every up & coming male actor on the casting books. A committed thief returns to his craft the moment he’s freed from prison, but the emphasis is on…

Monstrosity  (The Atomic Brain)

How can a ‘Z’ horror production so completely absorb the thoughts of this ex- film student?  This maladroit 1963 monster mash can’t even tell when it’s doing something good. A capable cast gives their all to a marginal production that, re-titled as The Atomic Brain, became a staple on late-nite TV, where it worked better…