Rock Hudson’s small budget big-explosion war movie applies decent production values and decent direction to a good idea, but substitutes some weak double-crosses for a real screen story. Hudson and his co-producer Gene Corman toss in a fine stack of quality actors… who don’t do much more than dodge tanks, flame throwers, and big explosions….
From the director of the beloved Local Hero: ‘Pure Simple Joy’ is an apt way to describe this deceptively meek, completely endearing Scottish film with a universal theme about adolescence and the reality of teen love. John Hughes’ teen pix do not hold a candle to the innocent charm found here. The gawky yet boundlessly…
One of Fritz Lang’s least-known thrillers had aspects that appealed to him, and he certainly applied his personal viewpoint and visual talents. It’s a period Gothic with women in corsets, about a deranged writer who lets his desires get out of hand. It may be actor Louis Hayward’s best work. Jane Wyatt is the suffering…
The world trembles on the brink, and liberals are in charge! The nicest President you ever met gives the Soviet Premier an offer anybody could refuse, while technical glitches, not crazy people or radical politics, are blamed for starting WW3. Sidney Lumet’s taut, scary armageddon-outta-here thriller was weighed in the balance against a certain Stanley…
Some critics wondered if Alec Guinness and John Mills should have swapped roles for this adaptation of James Kennaway’s incisive novel about popularity vs. discipline in the command structure of a Scots army brigade. Ronald Neame’s direction is exemplary, showcasing the powerhouse performances yet avoiding theatrical flourishes. And the movie introduces Susannah York as well….
One of the more satisfying costume adventures of the ‘sixties is also one of its star’s best vehicles. Charlton Heston was born to play bigger-than-life historical types, and his Norman knight in this film has the benefit of an intelligent screenplay and a terrific supporting ensemble. This hero’s armor doesn’t shine — he’s more than…
This unassuming noir classic can boast a strong creative pedigree and an unusual ending… which I’ll not spoil. Dan Duryea is the confused pianist helping June Vincent clear her husband of a murder charge, by infiltrating the nightclub of suspicious Peter Lorre. The outline sticks close to Cornell Woolrich’s story source, and Roy William Neill…
Toot Toot! The Little Engine that Could becomes a tale of the little town that could, when their tiny rail service is discontinued. A crackerjack cast of Ealing regulars — Stanley Holloway, Naunton Wayne, John Gregson — band together to take over the little spur line and keep it running. We get to see a…
Epics — everybody wants to make them but the studios are naturally wary. Richard Attenborough’s ode to the youthful ambitions of Sir Winston Churchill was a big hit in England but didn’t make a dent here. Although a dead ringer for the young Winston, Simon Ward didn’t take off as a star either, leaving Anne…
Once upon a time, MGM launched a big spectacle Western remake with the top star Glenn Ford and the bright import Maria Schell — and then second-guessed the whole production, cutting back on everything so severely that director Anthony Mann ankled the set for Spain and El Cid. The storytelling is a mess — after…
Why do we like horror and monster movies that routinely get labeled as ‘bad?’ Because many of them have great story ideas and look at the world from odd, warped viewpoints. Back when ‘warped’ wasn’t a prerequisite for ALL filmed entertainment (my exaggeration) this murderous rejuvenation tale could be appreciated as something unusual, even quirky….
He’s mean, he’s nasty, he carries a razor and he’s dating your sister! Cosh Boy was front & center in 1953 debates about ‘what’s wrong with the British cinema.’ It holds up well, if not as PC social comment, then as solid exploitation fare, with our verminous hero putting the moves on tough-but-vulnerable local girl…
Much of Ealing Studios’ core appeal begins right here, with T.E.B. Clarke’s astute look at the character of pragmatic, energetic Londoners, who in this fantasy face an outrageous situation with spirit, pluck, and a determination not to be cheated. What happens when a few square blocks of London discover that they’re no longer even part…
It may be a little creaky, but Dr. Cyclops is a genuine classic of the imagination, from a time long before pulp fantasy dominated Hollywood filmmaking. For 1940 audiences this must have felt like a strange dream. Five humans are miniaturized and terrorized by Albert Dekker’s Dr. Thorkel, a card-carrying mad scientist. Held firm by…
Marlon Brando is back in an adaptation of Tennessee Williams’ play Orpheus Descending. The cameraman is Boris Kaufman and the director is Sidney Lumet; Marlon’s a classic tomcat drifter in a dangerous parish, who attracts two women. Acting styles mesh, or mix without blending — Anna Magnani and Joanne Woodward each get opportunities to shine….
Two givens for Los Angeles living in 1969: perpetual driving around listening to the radio, and stereo cartridge needles dropping onto record grooves. Those things were the basics of our existence! CineSavant closes out his pre-Christmas cheer with his favorite picture of ’19. It’s possibly Quentin Tarantino’s best. Yes, yes I know it has that…
They say you Can’t Go Home Again, but Francis Coppola has pulled a real magic trick — his 1984 gangland musical ended up heavily compromised by outright racism producers that didn’t like the half of the story that favored a black show-biz drama. All the gangster action has been retained in this impressive Encore recut,…
Back in the early 1970s I was crazy about Depression-Era Warner Bros. movies, that weren’t being shown on TV or anywhere else. In that climate of deprivation, a documentary that used movie film clips from the period felt extremely fresh and new. Philippe Mora’s picture sees 1930s America through the movies, through music, and the…
Noir Nirvana isn’t found amid literary swells and hoity-toity art connoisseurs — but in the trenches of humble Eagle-Lion Films, where Richard Fleischer, Lloyd Bridges and a hotter-than-hot Barbara Payton steamed up the streets of Los Angeles circa 1949. The Film Noir Foundation experts give us an expertly curated slice of hardboiled crime — Eddie…
Remember those DVD collections organized by star, that combined favorite actors’ big movies with good titles you might not have seen? Shout Select has gone that route in honor of the great Anne Bancroft, collecting eight titles in one box. They span the years 1952 to 1989 … and are sourced from multiple studios and…
Sam Peckinpah’s ‘Mangled Masterpiece’ gets a new lease on life with this Austrian import, which corrects all the things that bugged me about Twilight Time’s impressive Blu-ray back in 2013. This is the first time that the original uncut Preview-International version of Major Dundee has come to Blu-ray with its original soundtrack intact. The Two-Disc…
Ah yes, we have a winner for the best ‘Comfort Food Movie’ of them all. When a trailer for this show popped up at a screening of The Farewell back in August, I heard gasps of excitement from the (slightly older-skewing) audience, as if everyone’s favorite relatives were coming back to town. Loyal fans of…
At least the title SOUNDS Christmas-themed! Preston Sturges’ sweet trifle is as simple as a sit-com mix-up, but the charm is in the lovable characters (the core of Sturges’ formidable stock company) and the sincerity of all concerned. Ellen Drew is the most deserving fiancé ever to pine for a wedding ring, and Dick Powell…
The most notorious pre-Code shocker comes to Criterion — and proves to be a superior drama with a mature outlook on the political issues around women’s sexuality and personal freedom. Taken from a raw novel by William Faulkner, this tale of rape and terror stars Miriam Hopkins in one of the bravest, best performances of…
Once again CineSavant becomes intrigued by a minor genre opus normally dismissed in a sentence or two; this Roger Corman production may fall short of his other early efforts because it tried to be too cerebral and then ran afoul of the Hollywood Guilds. David Kramarsky is listed as director but it’s hard to know…
At the end of his career, Fritz Lang returned to Germany and a producer who gave him a big budget to remake a silent classic in color, with an international cast and locations in remote India, including a palace never seen in a movie before. The two-movie, 200-minute epic was chopped in half for America…