Romantic comedies became coy sex chase comedies in the early 1960s, once Doris Day made ‘professional virgin’ a Hollywood career. This mistaken identity/crossed prevarications farce is better than most, thanks to charming performances by Jane Fonda and Rod Taylor, and a fine script by Norman Krasna, from his play. The story doesn’t dance around the…
Mill Creek again dips into exotic Japanese sci-fi fantasy, and this time scores with the desired language choices and subtitle configurations for these spectaculars from the beginning of Toho’s strongest period. The H-Man is a stylish gangster-horror melange about a radioactive slime that cheerfully transforms Guys ‘n’ Dolls into living goo. Then, a Battle in Outer Space…
Today’s noir forecast is vice, kidnapping, murder, suicide, narcotics and a sleazy stolen baby racket! Kino’s third volume of Universal-International pix contains two seldom-screened quality urban noirs. Expect genuine dark themes in these sizable-budget location noirs made before Universal pulled most production back onto its one-size-fits-all backlot sets. Barbara Stanwyck dominates one show, while noir…
This thinking man’s epic got left behind with the demise of Road Show movies, which is a shame. A beautifully made, uncompromised story of warring 17th century Germany, it plays like a fine epic, with great performances. Audiences didn’t want to see Michael Caine as this kind of character in a costume drama that wasn’t…
Talk about a film whose time has come … Paul Mazursky’s ode to womanly liberation takes a sensible, gentle approach. Yes, the husband was a total jerk, and so is the first man Jill Clayburgh’s Erica turns to in need. What’s more important is the feeling of empowerment on the personal intimate level: it’s okay…
John Hughes’ breakthrough writing-directing hit still carries a glow (a very square, safe glow) that defuses its rougher edges, making it one of the best of ’80s Teen comedies. Even the savvy Soraya Roberts cuts it some slack, thanks to the authentic presence and fine performance of Molly Ringwald. Hughes’ amusing script comes up with…
Fritz Lang’s final feature brings his career full circle to the core thriller concepts he pioneered back in 1922: superstitious human nature and sinister technological advances combine to make the 20th century an Age of Terror. Lang reboots his highly cinematic Weimar-era narrative tricks for a film that heralds the beginning of a brave new…
John Cassavetes’ breakthrough picture (filmed in 35mm, wow!) gets the Criterion treatment, with fine new extras that take us back to a moment when the American Independent movement broke through to the big theaters, with bigger stars. It’s 142 minutes of intense improvisation during which Cassavetes, Ben Gazzara and Peter Falk challenge, tease and bully…
Skipped this one because it’s by Spielberg? The 9/11- inflected take on H.G. Wells’ classic reproduces thrills from the book not captured in George Pal’s 1953 atom-age update. For this reviewer it was a big surprise — a Tom Cruise movie in which he plays an appropriately terrified character instead of his annoying big star…
Myopic Harry Palmer, the great cook, lover and reluctant spy returns to where his trouble with the British Army began. This time he’s tangled up in a political snarl that might have dire consequences: not only are the Russians involved, ex-Nazis are on the payroll. Israel may have an agent in the field, and not…
It’s a Hollywood rags-to-riches tale seen as a cruel coming-of-age story — when Natalie Wood’s feisty street kid becomes a child star, she learns that tinsel town is not only fake, but oppressively evil as well. Cut off from her dotty mom (Ruth Gordon) and surrounded by the sinister minions of studio head Swan (Christopher…
Although only one of these 1950s B&W thrillers falls within a mile of a hard definition of film noir, all give us glamorous actresses in interesting roles. Claudette Colbert takes her turn at playing a nun, Merle Oberon tries a femme fatale role on for size and Hedy Lamarr does very well for herself as…
Oh Joy, Oh Rapture! Mario Bava’s comic book thriller makes the jump to Blu-ray in fine shape, with knockout visuals and eye-popping color. John Philip Law, Marisa Mell, Terry-Thomas and the late Michel Piccoli are all irreplaceable in this one-of-a-kind show. Bava’s film translates action comic fantasy into cinematic terms, pictorial appeal and dynamism intact….
Rip-roaring Oliver Reed’s silver-coated were-beast is one of Hammer Films’ very best screen monsters, which is more than enough reason to sample this colorful 1961 shocker. It was apparently ripped to shreds by the U.K. censors, a horror-crime spared us lucky Americans. The movie has been released more than once on Blu-ray but Shout’s new…
Easy Rider terrifies twenty confused studio executives because they don’t understand it. Hoping to keep their jobs, they rush to hire more longhairs to make movies ‘the kids’ will see. Ex- UCLA film student B.L. Norton parlayed his way into writing and directing on the streets of Los Angeles, with new stars Gene Hackman and…
I’d never heard of this gem of a British production; now it goes on my list of highly recommended titles. A dock area on the Thames is ‘the pool,’ and the sailors that disembark from the cargo ships are susceptible to the temptations of black market trade. A single eventful weekend traces the fates of…
Robert Mitchum intercedes in a range war in this ‘A’ western, and he’s got the pro team of director Robert Wise and cameraman Nicholas Musuraca on his side. All but one action scene plays out at night, which is why this is sometimes called a Noir Western. The dark visuals fit that mold but the…
Great 3-D thrills — Hollywood was working to perfect 3-D movies just as the craze died out. An impeccable Blu-ray 3-D restoration, the glory of young Rock Hudson and some of the best Utah scenery in depth makes this a very enjoyable disc. Director Douglas Sirk was itching to do a western, and the swiftly…
Talk about a worthy title for restoration — somebody up there likes us. Digital tools and film preservation expertise have advanced far enough to revive this marvelous pre-Code comedy-shocker in a form that showcases its wild designs and stylized 2-color Technicolor sheen. Director Michael Curtiz’s adept direction highlights Glenda Farrell’s racy dialogue delivery as…
Graham Greene’s tense crime tale is as important as his classic The Third Man but nowhere near as well known. Down Brighton way the race-track boys have sharp ways of solving disputes and terrorizing the common folk — think ‘straight razor.’ Richard Attenborough’s breakthrough film is also a showcase for Hermoine Baddelely and a…
Welcome to the exciting, hesitant, guilt-laden and provocative world of Eric Rohmer, and his varied voyages of slightly intimidated romantic discovery. There are six Moral Tales (and some short subjects) and each finds a main character stymied by indecision: should he hew to the narrow moral path, or stop being so conflicted and let…
A top movie monster is back from filmic perdition, restored to his full might and power. Rabbi Lowe’s answer to the persecution of the ghetto is a mysterious unthinking automaton capable of terrible destruction. Paul Wegener’s indelible clay statue stands as a core myth in Jewish lore. But he’s still here, usually in allegories about…
For producer-director John Ford Columbia Studios was apparently a calm port in a hostile movie climate. Away from the bankability guaranteed by John Wayne, Ford never quite regained the power of his earlier triumphs, from the silent era to his socially conscious classics at Fox. The four Columbia-controlled pictures presented on Powerhouse Indicator’s lavishly appointed…
When does a silent classic really become a classic? When we can see a reconstituted full original version, which in this case meant decades spent waiting. G.W. Pabst’s celebrated 1927 jeopardy-soap has romance, treachery, murder, a revolutionary war and a score of terrific characters embodied by Brigitte Helm, Sig Arno, Vladimir Sokoloff and the weird…
Images from this picture were burned into our Boomer childhood brains … we actually sat still for almost three hours to watch it. John Sturges’ epic show is like a fine-tuned watch — its unbreakable story is populated by ideal characters that become instant heroes, just for acting like normal men that want free of…
Horror films aren’t only about vampires and goblins — Czech director Juraj Herz’s mind-chilling study of a Fascist opportunist communicates truths about aberrant psychology and Fascists, that audiences would never read in print. A bourgeois burner of cadavers leverages his Reich-useful trade into his own little warped empire of evil. Karl Kopfringl’s modus operandi hardly…