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Leave Her to Heaven

Freddie Mercury sang that Love Kills, and that's apparently where Gene Tierney's coming from in this bizarre domestic noir. Dream wife Tierney…

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Manon

We can depend on H.G. Clouzot to find people at their most desperate, at their worst. His updated adaptation of Manon Lescaut…

CineSavant

Whisky Galore!/The Maggie

Film Movement, a self-described “film service” that traffics in esoteric theatrical and home video product has released two notable examples of post-war…

CineSavant

The Cranes are Flying

Some classic Russian films are impressive, others are interesting -- and this one takes our heads off, as if we were seeing…

CineSavant

Beau Brummell

This remake of Warners' 1924 John Barrymore feature gives us Elizabeth Taylor in the Mary Astor role, Stewart Granger as the fashion…

CineSavant

Beau Brummell

This remake of Warners' 1924 John Barrymore feature gives us Elizabeth Taylor in the Mary Astor role, Stewart Granger as the fashion…

CineSavant

Inside Moves

Richard Donner's first feature post- Superman is a complete switcheroo -- a small-scale character piece that delivers an impressive lineup of engaging…

CineSavant

My Gun Is Quick

Mike Hammer is in action again!  Well, not exactly. Producer Victor Saville's third go-round with Mickey Spillane's famed character doesn't do the…

CineSavant

Quai des Orfèvres

Another big title from Henri-Georges Clouzot touches down in Region A. The great director's first postwar feature dials back the misanthropy --…

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Semi-Tough

In 1977 Burt Reynolds was on top of the Hollywood world, a bankable star whose popularity knew no bounds. In between his…

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Holiday (1938 + 1930)

This classy late-'30s Park Avenue romp gives us Katharine Heburn and Cary Grant at their best; Grant is especially good in a…

CineSavant

Under the Shadow

Guest reviewer Lee Broughton returns with a review of Babak Anvari's Under the Shadow (2016), a smart tale of supernatural happenings out…

CineSavant

Canyon Passage

This great unheralded western is divorced from the usual concerns of law and order and gunslinger protocol. As in most every film…

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It Started with a Kiss

It's another big-star MGM romantic comedy, and not exactly a classic. Debbie Reynolds and Glenn Ford pick their way through a travelogue…

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Tex Avery Screwball Classics Volume 1

At long last a beautifully restored and mastered selection of a number of cartoon king Tex Avery's brilliant, innovative and (most of…

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Endless Night (Region B)

Why does CineSavant write so many positive reviews, even for films not commonly thought of as even being 'good?'  Well, I'm about…

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Parasite

Hipster film folk love a good black comedy, and one that doesn't hit too close to home can become a big hit.…

CineSavant

X The Unknown

Hammer's copycat Quatermass picture stands apart from similar 'mystery sci-fi monster' thrillers by virtue of its serious tone and realistic presentation. Talk…

CineSavant

The Great McGinty

If the story of a unscrupulous crook who rises to great political power hits a little too close to home these days,…

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Roma

Alfonso Cuarón's labor of love will go down as having changed the delivery norm for top-quality feature motion pictures: unlike most foreign…

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Three Fantastic Journeys by Karel Zeman

"Not so much a suspension of disbelief as a suspension of dreary naturalism." Criterion acknowledges a great filmmaker with this trio of…

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The Criminal

Gangland London, 1960: Expatriate director Joseph Losey gives the Brit crime film a boost with a brutal gangster tale starring the ultra-tough…

CineSavant

Two on a Guillotine

Imagine shock-meister William Castle directing a Disney movie and the result might be something like Two on a Guillotine. William Conrad, narrator of…

CineSavant

Monstrosity

How can a 'Z' horror production so completely absorb the thoughts of this ex- film student?  This maladroit 1963 monster mash can't…