Bertrand Tavernier breaks the barrier between fans of European movies and 101 classic French pictures that most of us have never gotten a peek at. The key to this eight-hour film clip excerpt round-up is the hosting-curatorship of Tavernier — the fascinating miniseries has plenty to offer both fans that have never seen an old…
The first post-nuclear science fiction thriller is a grim & gripping end-of-the-world tale with rough content for its year. Arch Oboler’s best movie watches as five motley survivors discover that their pre-apocalyptic prejudices have survived as well, precipitating a savage struggle in the shadow of doom. The filming was an artistic collaboration with established film…
Hollywood learns to imbed a social message into a crime thriller. John Paxton’s adaptation of Richard Brooks’ neat murder tale is solid noir because it sheds light on the malaise of returning soldiers. No parades and confetti here: Robert Ryan is the hateful bigot but the other characters live amid equally shadowy values — laid-back…
This obscure Italian horror has Christopher Plummer, Donald Pleasence and atmospheric locations — and a making of story that Severin tells in full unexpurgated detail. Never released in an English- language territory, Augusto Caminito’s brooding shocker had four directors. Its commercial chances were derailed by its deranged star, Klaus Kinski, who poses well, molests his…
This dubious mix of war combat and faith-based inspiration is as well directed as any of Douglas Sirk’s films, even if literally every scene seems to be saying the wrong thing. Combat pilot Col. Dean Hess helped found and publicize a major orphanage in South Korea, but as personified by a pious Rock Hudson his…
The most glamorous movie about the Korean War experience lauds the bravery of Navy aviators while spelling out the downside of fighting an unpopular war. William Holden, Grace Kelly, Fredric March and Mickey Rooney turn in sharp performances, and Charles McGraw gets his best character part as a no-nonsense flight commander. Paramount’s special effects department…
Howard Hawks’ early sound picture is a worthy prison drama — with top performances from Walter Huston and Boris Karloff, both just as their film careers began to take off. Huston shows the screen how a stage actor can take command: his DA-turned warden character is corrupt yet retains his air of authority. Karloff’s convict…
A musical that charms even audiences that don’t like musicals, this adaptation of a big 1955 Broadway hit is noted for capturing much of the original’s power and brilliance — more legendary stage performances should be filmed like this, immortalizing theater history that otherwise disappears into the ether. Gwen Verdon, Ray Walston, Russ Brown and…
Ib Melchior’s best-directed movie is a futuristic space opera with a time travel theme, all done at a production level suitable for a Halloween fun house. Yet its talented crew comes up with exciting visuals to match Melchior’s flaky-but-fun eclecticism: Androids, Mutants, ‘deviants,’ hydroponic gardens, force fields, time warps… and a sexist attitude or two…
Apocalypse Now in 4K? After The Wild Bunch this is one title likely to get me to invest in a new format. Francis Coppola & John Milius’ Vietnam War epic may not be perfect, but it’s one of the most exciting movie experiences ever and one of the top achievements of the first film school…
Nope, it’s not on disc but it’s getting written up here because so few people know it and it’s been difficult to see my entire adult life. The fourth Gardner/Levy United Artists horror/sci-fi picture of ’57-’58 is another trip into a jungle’s Heart of Darkness, where awaits a deadly satellite fallen from orbit. Have we…
Whoa! CineSavant reviewed a different release of this movie just four months ago. Roger Corman’s 7th Poe/Gothic adaptation is probably his best, thanks to a Beaumont/Campbell screenplay that fully engages with Edgar A.’s morbid agenda. It’s not really kiddie fare, what with the unrelenting emphasis on cruel torture, perverse values and Godless nihilism. Vincent Price’s…
MGM’s remake of the grand musical can’t be ignored — the restored transfer is stunning, demonstrating the studio’s technical skill at full tilt. There are good aspects to this version, even if it’s mostly a missed opportunity more notable for production backstories than for itself. It’s Kathryn Grayson’s high water mark at MGM, and Howard…
It’s nearly perfect and utterly profound, a masterpiece — Larisa Shepitko made only four theatrical features yet this Soviet movie about the Great Patriotic War earns her a firm place in film history. Moral betrayals under stress, in the face of profound evil… it’s the human condition. Astonishing for a Mosfilm production of the…
David Mamet’s gangster fable benefits from a casting match made in heaven — Don Ameche and Joe Mantegna. A shoeshine vendor is tapped to take a rap for a mob boss, but the hoodlum delivering him to court instead takes him on a two-day escape to Reno … against mob orders. It’s low-key comedy…
Akira Kurosawa wrote the original story for this slam-bang action picture that finally got Cannon Films on a, ‘Hey this is a great movie’ list or two. Mean, nasty, desperate men make an impossible escape attempt across a frozen landscape that might as well be on the moon. Jon Voight gets to use the…
MGM’s glamour factory hit heights of grandeur with this nostalgic disaster spectacle, which retains its power even as its pious sentimentality runs amuck. We don’t believe the characters but we believe the STARS: Clark Gable, Jeanette MacDonald and Spencer Tracy succeed with sheer personality. Best of all are the sensational special effects featuring the…
Blood, gore and the smell of gunpowder! Sam Peckinpah’s booze-soaked Odyssey sends Warren Oates on a grisly fool’s errand to retrieve a rotting, fly-bitten… oh, just read the title will ya? Resolutely sordid and debased, and soaked in ugly exploitation values, the tale of ‘Machete Bennie’ nevertheless scores as Peckinpah’s last successful movie —…
Frank Perry’s version of the shootout at the O.K. Corral shapes up as a fine western and an even better drama — the revisionist angle is supported by an excellent script and thoughtful, challenging characterizations. Tombstone’s frontier folk are dirty, vulgar and corrupt, but Stacy Keach and Faye Dunaway generate a rough-hewn romantic harmony….
The Arthur Freed MGM musical unit gives this 1927 musical remake the old College Try! It’s a vehicle for the wartime sweetheart June Allyson, aided by Peter Lawford, who is quite good if not real musical material. The fun original tunes are joined by a couple of new ones, including an all-time terrific song…
Peter Benchley’s follow-up to Jaws is a treasure hunt thriller starring Robert Shaw and filmed in the pearly waters off Bermuda. The exciting underwater scenes boosted the careers of Nick Nolte and Jacqueline Bisset but the memory that stuck in the minds of millions was a particular wardrobe decision for Bisset’s siren of the…
Paranoia strikes deep! Alan J. Pakula made THE Watergate-era conspiracy creepshow in this sinister extrapolation of political trends. Warren Beatty’s investigative reporter thinks he has an inside track to expose and destroy what looks like a shadow assassination bureau. If the technology of 1974 could be made this efficient, our own Brave New World…
The UK disc purveyors Powerhouse Indicator are back with a second installment of Region B Film Noir goodies from the darker end of the Columbia Torch Lady’s film vault. This time around we have a couple of Femme Fatale thrillers (does she or doesn’t she?), a trio of organized crime mellers, and a hit…
Few ’30s classics have held up as well as this MGM blockbuster, a costume thriller that in spirit is quite faithful to the great Charles Dickens novel. Heroes don’t come more sophisticated or noble than Ronald Colman’s Sydney Carton, nor as vile as Basil Rathbone’s Marquis St. Evrémonde. David O. Selznick’s impeccable production hits…
¡Ai Caramba! The best movie ever made about a killer Spanish Conquistador from beyond the grave (!) is probably the most satisfying of Richard Cunha’s monster romps, despite being rudimentary in all respects. The script is dire and the monster just a generic bogeyman, but the actors are pleasant and the locations attractive. The…
It takes too many words to properly describe Richard Kelly’s followup to Donnie Darko, but the oversized dystopian sci-fi epic just might grab audiences looking for weird extravagance. Cult hosannas aside, Kelly’s ‘crazy’ predictions closely resemble our present domestic chaos. Brilliant ideas rub shoulders with apocalyptic clichés and the acting styles are all over…