Amazing! Colossal! And it’s good, too! ‘Gone With the Wind’ is a tempest in a teacup compared to this jaw-dropping adaptation of the Tolstoy classic: seven hours of artful splendor, passionate characters, map-altering politics and the biggest, most spectacular battle scenes ever filmed. Sergei Bondarchuck has it all under control; the new restoration gives Soviet…
The absolute best small scale ‘perfect crime’ thriller has nail-biting suspense, humor, sexy scenes, a shocking violent scene and apparently a terrific collaboration between director Daryl Duke and writer Curtis Hanson. Elliott Gould and Christopher Plummer give unique, superb performances, and Susannah York is enticing as well. It’s not neo-noir, it’s better than neo-noir. With…
After five years of combining animated short subjects, and a combo live-action/animation feature, Disney dove into full feature animation fantasy again with the most basic of Fairy Tales. Just because he learned to create animation for a price doesn’t mean that the quality slacked off — the wondrous design and animation is augmented by terrific…
Sir Carol Reed takes on a movie about insurance fraud in sunny Spain — with a great trio of actors for 1963. Laurence Harvey scams an insurance company and looks forward to continuing to beat the system in a happy life of chicanery; Lee Remick finds her affections turning to Alan Bates, an insurance man…
Henry James novels have made terrific movies; this precise, strongly-felt adaptation expresses interior feelings that James — the master of ambiguity — may not have intended, yet seem essential to the story. A dynamic young female public speaker transfixes all around her, and is taken in and mentored by an activist for the women’s movement….
Sidney Poitier’s films of the 1950s and ’60s almost always put a statement about race in the forefront, and even when the message was obvious, his work as ambassador across the race divide made a big difference. This sweet tale of a possible romance across social barriers came at a time when interracial pairing was…
1974 was ground zero for a 7.0 magnitude shaker on the clumsy, kitschy disaster-movie Richter Scale with Universal’s ambitious, tossed-together epic of Los Angeles torn asunder by ‘The Big One.’ The all-star cast headed by Charlton Heston and Ava Gardner slug and mug their way through a gloppy soap opera of a script, admirably retaining…
As the first wave of ‘adult’ westerns began to fade, 1959 gave us a burst of genuinely adult stories about the famed lawless towns of the frontier. Henry Fonda is at his moody best in a replay of his earlier Wyatt Earp, de-mythologized as just one more self-oriented opportunist in a land where even lawmen…
Hollywood takes a hard look at the mundane horrors of mental asylums, and Olivia de Havilland scores another career high with her portrayal of a housewife experiencing a nervous breakdown. Some people found the show scary and a few felt it was tasteless, but Ms. de Havilland’s performance is riveting, 71 years later. Anatole Litvak’s…
Long AWOL from Home Video — the last time I peeked it was an unwatchable pan-and-scanned laserdisc — this early Charles Band opus came at a time when the purveyor of third-class horror thrills could command a budget. A rather phenomenal list of ’70s special effects hopefuls collaborated to give the show lasting appeal, mainly…
Jumpin’ gingivitis! Vicious microbes from space threaten the world and our only hope is a team of scientists in an underground lab in Nevada. But the sneaky germ from the cosmos is a-mutatin’ faster than a mess o’ jackrabbits, into a form that doesn’t just kill people, it consumes our flesh, too! No, it’s not…
All the world loves Jackie Chan, whose cinematic action pictures bridge the gap between silent-era virtuosity and slick modernity. As light comedy entertainment these first two Police Story smash ‘n’ bash epics of eye-popping jeopardy are suitable as ‘family entertainment’ as well. Jackie is a marvelous hero, while Maggie Cheung is an old fashioned girl…
This favorite animal film takes a half-step sideways out of the cute animal subgenre: the delightful Mij is no super-otter, just an ordinary playful garden-variety otter, as an Otter oughta be. (cough) Champion mellow English couple Virginia McKenna and Bill Travers have put together a film guaranteed to lower your blood pressure. But see it…
Twilight Time goes for a Blu-ray upgrade of the western remake with the all-star cast. Forget that there was ever a John Ford or a John Wayne and it’s a perfectly presentable wild west story, but the mileage may vary for classic western fans inclined to make comparisons to the 1939 classic. Top billing goes…
CineSavant obsesses over yet another obscure bit of cinematic sociology: a glossy pre-Code MGM melodrama about mothers and war, which half-debates issues like pacifism, the losses of world war one, military vigilance, cowardice, chemical WMDs and foolish idealism! But don’t worry, the title statement is the ultimate answer to everything. Oh, it’s also political sci-fi:…
Freshly divorced from American-International Pictures, Roger Corman leaps into the filmic mainstream with a fairly large-scale World War One aviation picture. He competes with the big studios but retains his nonconformist attitude: his retelling of the story of the Red Baron fixates on the theme of the death of chivalry in combat. For his star…
It’s the brightest debut feature of 1970, and perhaps the warmest movie ever about the American race divide. Hal Ashby and Bill Gunn’s work is inspired: rich boy Beau Bridges buys a slum tenement and launches a wonderful ensemble comedy-drama in confrontation with the fantastic quartet of actresses — Lee Grant, Diana Sands, Pearl Bailey…
Clever plotting goes into overdrive for this light-comedy proto-paranoid film noir about a magazine publishing empire so organized that it seems a sci-fi invention from the future. Ray Milland’s charismatic fall guy finds himself embroiled in a murder plot filled with false identities, and a manhunt that he must supervise… to catch himself. Maybe Robert…
Why do crime caper films have so much appeal? Are we all closet criminals, eager to watch less timid souls risk life and limb to get the big payout and live happily ever after? Peter Yates’ stylish re-telling of England’s Great Train Robbery makes for an excitingly detailed, nonsense-free heist straight from real life,…
“You crazy rat you croaked him!” Yes, you’ve probably heard better hardboiled dialogue, but this British imitation of American gangster pictures takes the cake for screwy line deliveries. It’s derived from a book and play that’s already derived from a salacious William Faulkner story. Jack La Rue and Linden Travers try to make a kidnapper-rapist…
MGM’s gigantic silent sci-fi extravaganza took three years to make, by which time the talkies arrived and everything went to pieces. Lionel Barrymore emotes (EMOTES!) in his early sound footage, and terrific effects take us to the bottom of the ocean where monsters and a race of Donald Duck creatures menace our heroic adventurers. And…
I don’t know if Garland fans still go around chanting ‘Judy Judy Judy’ at her every appearance, but they do have a timeless song ‘n’ dance number to celebrate here. Her last MGM movie is only a so-so vehicle but Gene Kelly and the studio’s top music & dance talent work hard to put it…
The prize for best direction of 1991 ought to have gone to Alex Cox, whose visual economy in this show is to be applauded. Cox’s camera is fluid, expressive yet technically invisible and unencumbered with fancy tricks: the frame never goes static, yet the film has only a couple of hundred cuts! Filmed in Spanish…
Gill(ian) Armstrong’s breakthrough feature does a leapfrog over stories like Little Women, with heroines that prevail even when adhering to the Meek Sex role of their time. Judy Davis’s Sybylla Melvin knows that she’s a freckle-faced pain in the neck: despite being proud that she’s attracted the local male catch, her every sinew is committed…
There’s no movie quite like Robert Rossen’s adaptation of the J.R. Salamanca book: mental illness and disturbance is neither simplified nor jammed into a preconceived pattern. There is a strong mythical element to Jean Seberg’s enigmatic Lilith, who at times seems the breathing incarnation of elemental human forces — I would imagine the Greeks believed…
Ah, yes — it’s a hot day in 1954, so what could be better than a cool movie theater projecting beautiful Italian scenery onto an Eee-Nor-Mous CinemaScope screen, with Frank Sinatra warbling an Oscar-winning tune. The simple escapism of Fox’s ‘three girls find love’ epic makes Rome look like a welcoming haven for carefree Americans…