It’s the brightest debut feature of 1970, and perhaps the warmest movie ever about the American race divide. Hal Ashby and Bill Gunn’s work is inspired: rich boy Beau Bridges buys a slum tenement and launches a wonderful ensemble comedy-drama in confrontation with the fantastic quartet of actresses — Lee Grant, Diana Sands, Pearl Bailey…
Clever plotting goes into overdrive for this light-comedy proto-paranoid film noir about a magazine publishing empire so organized that it seems a sci-fi invention from the future. Ray Milland’s charismatic fall guy finds himself embroiled in a murder plot filled with false identities, and a manhunt that he must supervise… to catch himself. Maybe Robert…
Why do crime caper films have so much appeal? Are we all closet criminals, eager to watch less timid souls risk life and limb to get the big payout and live happily ever after? Peter Yates’ stylish re-telling of England’s Great Train Robbery makes for an excitingly detailed, nonsense-free heist straight from real life,…
“You crazy rat you croaked him!” Yes, you’ve probably heard better hardboiled dialogue, but this British imitation of American gangster pictures takes the cake for screwy line deliveries. It’s derived from a book and play that’s already derived from a salacious William Faulkner story. Jack La Rue and Linden Travers try to make a kidnapper-rapist…
MGM’s gigantic silent sci-fi extravaganza took three years to make, by which time the talkies arrived and everything went to pieces. Lionel Barrymore emotes (EMOTES!) in his early sound footage, and terrific effects take us to the bottom of the ocean where monsters and a race of Donald Duck creatures menace our heroic adventurers. And…
I don’t know if Garland fans still go around chanting ‘Judy Judy Judy’ at her every appearance, but they do have a timeless song ‘n’ dance number to celebrate here. Her last MGM movie is only a so-so vehicle but Gene Kelly and the studio’s top music & dance talent work hard to put it…
The prize for best direction of 1991 ought to have gone to Alex Cox, whose visual economy in this show is to be applauded. Cox’s camera is fluid, expressive yet technically invisible and unencumbered with fancy tricks: the frame never goes static, yet the film has only a couple of hundred cuts! Filmed in Spanish…
Gill(ian) Armstrong’s breakthrough feature does a leapfrog over stories like Little Women, with heroines that prevail even when adhering to the Meek Sex role of their time. Judy Davis’s Sybylla Melvin knows that she’s a freckle-faced pain in the neck: despite being proud that she’s attracted the local male catch, her every sinew is committed…
There’s no movie quite like Robert Rossen’s adaptation of the J.R. Salamanca book: mental illness and disturbance is neither simplified nor jammed into a preconceived pattern. There is a strong mythical element to Jean Seberg’s enigmatic Lilith, who at times seems the breathing incarnation of elemental human forces — I would imagine the Greeks believed…
Ah, yes — it’s a hot day in 1954, so what could be better than a cool movie theater projecting beautiful Italian scenery onto an Eee-Nor-Mous CinemaScope screen, with Frank Sinatra warbling an Oscar-winning tune. The simple escapism of Fox’s ‘three girls find love’ epic makes Rome look like a welcoming haven for carefree Americans…
What does the American dream mean to you? Hardworking folk just want the job and the house and the family as promised in the ‘old’ Contract With America that began to slip out of reach in the 1970s. To examine the social absurdities at the tacky end of the consumer divide, Bo Goldman and Jonathan…
“Behind A Barrier Of Antarctic Ice…A Paradise Of Hidden Terrors!” Universal-International laid out a pretty penny to film this elaborate spin on The Lost World, modernized to take in discoveries at the South Pole. It’s a showcase for fancy B&W opticals and traveling mattes … but the featured monster stars are a big letdown —…
Alec Guinness transfers an acting challenge from the stage to the screen, in this account of a Cardinal forced to knuckle under to a Communist regime — instead of extracting a confession with torture, Jack Hawkins’ Inquisitor uses psychology to find his prisoner’s weakness. The picture is uneven but its key performances are choice, with…
William Wyler and a trio of fantastic actors make indelible movie history from a grim story by Henry James. How much of love is bald opportunism? How many successes married their way into money? And what’s a lovesick woman to do when a beau may not be true? This may be the key Wyler picture,…
Elia Kazan never stopped making great pictures, but much of his output after 1952 was politically defensive in nature. This powerful indictment of American media madness is a genuine classic, but it also points up the need for ‘good folk’ to sometimes betray their associates. The target this time around is the most kill-worthy monster…
A plug for commercial exterminators everywhere, William Alland’s titanic hairy spider provided plenty of chills for 1950s drive-ins, delivering exactly the naïve monster thrills teenagers craved. John Agar and Mara Corday do what they can with the clunker script and Jack Arnold’s direction, while Leo G. Carroll saves face by retreating below a rubber mask…
One of Max Ophüls’ best American movies is this razor-sharp ‘domestic film noir’ with excellent acting and a premise that was probably too sordid-real for 1949: cheap crooks blackmail an ordinary housewife trying to protect her family. Joan Bennett confronts the crisis head-on, facing down James Mason’s unusually sympathetic ‘collector.’ The Reckless Moment Region free…
The Anthony Mann – James Stewart crowd-pleaser now comes to Region A Blu-ray. With its bright Technicolor hues, it’s the wagon train movie fans remember first after Red River. Stewart is a good guy with a dark background who tries to atone by helping some settlers. The thorn in his side is an unreformed former…
Mill Creek and Kit Parker package nine mid-range Columbia features from the 1940s and 1950s, not all of them strictly noir but all with dark themes — crime, creepy politics, etc. None have been on Blu-ray, and all but one are in fine condition. Noir Archive 9-Film Collection Address Unknown, Escape in the Fog, The…
With two major movie accolades in one year, Chief Justice Ruth Bader Ginsburg is the real Wonder Woman, bar none. Mimi Leder’s dramatic biography takes on a relatively small piece of Ms. Ginsburg’s life, but the simplifications aren’t a problem. It does have the feeling of an old-fashioned celebratory bio, with colorful characters and hiss-able…
Director Jan Němec made his name during the Czech New Wave of the 1960s, and later saw his career cut short when the ruling party decided to classify one of his films as ‘banned forever.’ This first feature is a striking chase story about two young men escaped from a Nazi prison train. It experiments…
Veteran William Wellman directed this pre-Code thriller that puts an average New York family at odds with a pack of ruthless gangsters. It’s a 1931 tale of drive-by shootings, witness intimidation and child kidnapping — just one year later, movies about child kidnappings were banned, after the tragedy of the Lindbergh baby. Walter Huston is…
Is it a film noir? This desert-set crime tale sees a rat (Ray Milland) escaping to Mexico with a bag of cash, forcing a hunting guide (Anthony Quinn) to show him the way and stealing his wife (Debra Paget) in the bargain. Remember what Godard said about only needing a girl and a gun to…
Dull vampire pix were once as ubiquitous as zombie pix are now, but when a good one came along we’d certainly take notice. The predatory Fran and Miriam are a wholly new twist on the ‘Wicked Lady’ highwayman theme — the picture transcends the softcore horror genre with class and style. Fringe director José Ramón…
Some show had to be the first — back in 1935, this was the first movie to be produced entirely in full 3 strip Technicolor. Just like any revolutionary filmic development, it came from outside the studio system, which says something about how Hollywood works — studios will spend millions of dollars to take advantage…
It’s expressive silent filmmaking at its best — Anthony Asquith vies with Alfred Hitchcock for most creative direction in silent-era England. Elissa Landi and Brian Aherne meet in the Tube but become entangled in a scheme of the jealous Cyril McLaglen. Restored just a few years back after being unavailable for generations, this is a…