CineSavant
The Thomas Crown Affair
Hollywood glamour strikes the crime genre, with a bank robbery tale that concentrates on high living and high fashion. Superstars Steve McQueen…
Articles by Glenn Erickson
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The Diabolical Dr. Z
Engaged to direct by a reputable producer, Jesús Franco takes yet another stab at conventional B&W horror. The pulp thrills get a…
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Charley Varrick (Region B)
It's the loose-censored early 1970s, and screen bandits shootin' up the American movie landscape are no longer suffering the once-mandated automatic moral…
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Blade Runner 2049
After 35 years Philip K. Dick's brainstorm returns in a film sequel worthy of the original; Denis Villeneuve does right by the…
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From Caligari to Hitler: German Cinema in the Age of the Masses
Take a trip into the depths of German silent film in a documentary that links expressionist cinema with dark political undercurrents. Director…
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The Hanging Tree
"To really live, you must almost die," sings Marty Robbins, a lesson learned by Austrian import star Maria Schell. Delmer Daves' best…
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Bend of the River (Meuterei am Schlangenfluss)
The second Anthony Mann / James Stewart western displays excellent direction and impressive Technicolor location photography high in the high mountains of…
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Raw Deal (1948)
Style can be the star in Classic Noir, making a less prestigious film more entertaining than one with bigger names. Dennis O'Keefe,…
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Not as a Stranger
What? Doctors aren't perfect? And some practicing doctors are incompetent? Stanley Kramer's All-Star medical soap opera takes two unlikely students (Robert Mitchum…
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Young Mr. Lincoln
Viewers looking (desperately) for American leaders to admire can't do better than to reflect on John Ford's folksy, at least partly authentic…
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Legend of the Lost
America’s top box office star John Wayne sneaks away to a remote corner of the Sahara Desert with the top Italian sex…
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The Hospital
A story of murders in the ER becomes, courtesy of writer Paddy Chayefsky, either a preview of social breakdown or an impassioned…
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Matinee
A scary monster movie comes to Key West just as a nuclear crisis breaks out! Joe Dante's incomparable paean to monster kid…
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Cadillac Man
The irrepressible Robin Williams is Joey, a trash-talking Cadillac salesman with three women on the line, who becomes an involuntary hero when…
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The Apartment
Savant's vote for the best romantic comedy ever goes to a sordid fable about problems in the big city Rat Race: keeping…
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Forever Amber
Meet the lusty Amber St. Clare, a 17th century social climber determined to sleep her way to respectability. Gorgeous Linda Darnell gets…
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The Whales of August
This look at the 'adjustments' of old age and the pain of nostalgia is a prime opportunity to admire a pair of…
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The Garden of Allah
One of the first full Technicolor features is a romantic fantasy about an innocent beauty's encounter with an equally innocent fugitive monk…
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Terminator 2: Judgment Day
Still looking sharp 26 years since its premiere, James Cameron's picture completely masters the mass audience thriller while pushing the effects envelope…
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Ruby
A significant horror hit from '77, Ruby surprised all that made it including its director Curtis Harrington, who struggled with an interfering…
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Dunkirk
A huge summer hit and a righteous blow struck for positive, non-comic book entertainment, Christopher Nolan's account of a WW2 crisis is…
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Pulp
A spoof? A black comedy? Michael Hodges and Michael Caine's hardboiled 'foreign intrigue' comedy lays on the movie references and clever dialogue,…
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CineSavant picks The Most Impressive Restorations of 2017
CineSavant 2017 Favored Disc Roundup Savant picks The Most Impressive Restorations of 2017 This is a tough year for best-of Home Video…
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Four Faces West
Westerns are all about values: good and bad, law and lawlessness, etc. Joel McCrea and Frances Dee's 'bad man' saga isn't faith…
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Night Passage — Die Uhr ist abgelaufen
It's the great Anthony Mann-James Stewart western that Mann didn't direct: Stewart goes it alone, over-filling a good western idea with 'cute'…
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Letter from an Unknown Woman
This devastating romantic melodrama is Max Ophüls' best American picture -- perhaps because it seems so European? It's probably Joan Fontaine's finest…