EAT THAT QUESTION: FRANK ZAPPA IN HIS OWN WORDS
Eat That Question: Frank Zappa In His Own Words takes its title from a song found on the composer’s 1972 fusion album…

Eat That Question: Frank Zappa In His Own Words takes its title from a song found on the composer’s 1972 fusion album…

The delightful British comedy The Smallest Show on Earth headlines a great Saturday matinee offering from the UCLA Film and Television Archive…

In one of those strange confluences of life, death and documentary art, last week the world lost Muhammad Ali, humanitarian, devout Muslim…

“We used to go to the movies. Now we want the movies to come to us, on our televisions, tablets and phones,…

John Flynn‘s The Outfit (1974), a brutally efficient bit of business based glancingly on Richard Stark’s procedurally inquisitive and poetic crime novel of the…

If there is a reliable truism that can coexist alongside the American film industry’s dance of death with economically insane budgets that…

Nearing the halfway mark of the movie year and teetering, as we all are, on the edge of another summer movie abyss…

Well, another year spent in the company of classic cinema curated by the TCM Classic Film Festival has come and gone, leaving…

I live in Los Angeles, and my residency here means that a lot of great film programming– revival screenings, advance looks at…

I don’t know if The Huntsman: Winter’s War, the big, loud (except when its twin villainesses get all whispery with evil portent) prequel/sequel…

A lot of water, legal and otherwise, has passed under the bridge since Paul Reubens last donned the signature crisply tailored gray…

Just a quick head-up: For those of you in the Los Angeles area, next weekend, April 22-24, marks the occasion for the…

The icon-establishing performances Marilyn Monroe gave in Howard Hawks’ Gentlemen Prefer Blondes (1953) and in Billy Wilder’s Some Like It Hot (1959)…

Seeing Edgar G. Ulmer’s The Black Cat (1934) again recently, my appetite was whetted to re-read Theodore Roszak’s Flicker, which uses Ulmer’s…

By 1934 Boris Karloff was certainly no stranger to great movie entrances. In 1931, under the direction of James Whale, he seared…

(This is the first in an occasional series in which I remember some of the best double features I’ve been lucky enough…

Spotlight more or less ran the table at the Independent Spirit Awards last Saturday night in Santa Monica, picking up honors for…

It’s been such a good year at the movies that I’m a little bit surprised by the degree to which I’m approaching…

Billy Wilder’s Buddy Buddy (1981) might be one of the most obvious go-to examples in the annals of conventional wisdom when it…

If you have been living and routinely interacting with other human beings over the last month, you’ve probably heard one or two…

The SLIFR Movie Treehouse (the acronym stands in for the title of my blog, Sergio Leone and the Infield Fly Rule) is…

This is definitely the time of year when film critic types (I’m sure you know who I mean) spend an inordinate amount…

(This is a review of the roadshow version of The Hateful Eight, which will be screening in true 70MM in about 50…

Of the Big Three new wavers of German cinema—Rainer Werner Fassbinder, Werner Herzog and Wim Wenders– who “came of age” as it…

Despite its rampaging monster approach to the holiday season and the imposing, sort-of terrifying giant horned goat-man who provides its title, Krampus…

Paolo Sorrentino makes movies the way musicians create music—lingering themes swirl together with short spurts of philosophical flirtation and bawdy jokes, placid…