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NOTES ON THE 2017 OSCAR NOMINATIONS (and PHANTOM THREAD!)

by Dennis Cozzalio

Okay, okay, I’ll go see DARKEST HOUR! Jeez! The first thing that struck me as I mused in the glow of the announcement of the Oscar nominations Tuesday morning, specifically about the Best Picture nominees, is that outside of not yet having seen the film mentioned above, I don’t have a problem with the presence…

FACEBOOK POSTS I NEVER MADE

by Dennis Cozzalio

Last week I made my way out of the Facebook forest and decided to take a brief hiatus from the constant barrage of input, positive as well as negative, and try to clear my head a little. I’ve already pretty much abandoned Twitter for the same reasons (How do all you Twitterers have the time…

THE COLLECTION

by Dennis Cozzalio

When I was a kid I was lucky enough to have a few friends who shared many of my interests– in movies, music, movie monsters, comic books, drama, and other sorts of things that ensured we were forever categorized as “nerds.” (Whatever the modern equivalent of “Nerd” classification is, it doesn’t seem to be quite…

A LETTER TO RIAN JOHNSON

by Dennis Cozzalio

It feels a little bit like Christmas morning around the house this morning, even though we’ve still got a week and change to go before the actual day, and that’s undoubtedly because all the women here are rousing themselves a bit early to get ready for what amounts to Christmas 2017, Hollywood style. (The cats…

NOTES ON THE LANDLORD AND LEE GRANT

by Dennis Cozzalio

Hal Ashby’s The Landlord, made in 1970, is probably the best movie of the 1970s not to be widely known by younger audiences, and even by some older audiences whose appreciation of the last great era of American moviemaking needs to be expanded beyond go-to classics like The Godfather and Chinatown and Taxi Driver. It’s…

GIVING MOVIE THANKS (2017 EDITION)

by Dennis Cozzalio

I’d imagine every one of us, despite our individual life situations, however privileged or difficult they may be, wouldn’t have too much trouble coming up with a pretty long list of people and circumstances for which to be grateful, during the upcoming week traditionally reserved for the expression of thanks as well as throughout the…

FOR HALLOWEEN: MEMORIES OF FEAR

by Dennis Cozzalio

Last night, at the tail end of a long and weird day, after all the rest of the folks who live with me were snug in bed, I shut off all the lights in the house, settled into my living room movie-watching chair and fired up a vintage Hammer classic I’d never seen before, The…

HALLOWEEN HAUNTED HAUSU PARTY!

by Dennis Cozzalio

How often have you heard someone (usually a blurb whore, but sometimes someone you actually know) describe a movie as being “indescribable” or “unlike anything you’ve ever seen before”? And then you go see the alleged one-of-a-kind work and not only is it quite describable, it’s usually describable in terms of many things have come…

FOR THE POSTSEASON: JOE E. BROWN AS ALIBI IKE

by Dennis Cozzalio

If you’re a baseball fan, particularly if you’re a Dodgers, Astros, Cubs or Yankees fan, the real baseball season started this past Friday with the inauguration of the American and National League Championship Series. I’m a Dodgers fan, which means I’m among that group who, arguably, have gone the longest without the satisfaction/excitement/nail-biting terror of…

FORTRESS OF SOLITUDE: JEANNE DIELMAN…

by Dennis Cozzalio

WARNING: The following piece was written without regard to the presence of “spoilers.” We see the interior of a quiet apartment. It is lit with the waning diffuseness of a grey afternoon, and there is a woman moving about its hallways with a steadiness of purpose. The camera which affords us this look into her…

TOHO DREAMS

by Dennis Cozzalio

Is it possible, in the grand age of visual and storytelling sophistication in which we live (the sarcasm is coming through, isn’t it?), to experience the exquisite delirium of an old Japanese kaiju movie, say, anything in the Godzilla-and-related-monsters series from roughly 1957 to 1975, without responding to it simply as inept camp, or as…

1941: A GREAT COMEDY FOR SLIM PICKENS DAY

by Dennis Cozzalio

On Monday, August 28, 2017, Turner Classic Movies will devote an entire day of their “Summer Under the Stars” series to the late, great Louis Burton Lindley Jr. If that name doesn’t sound familiar, well, then just picture the fella riding the bomb like a buckin’ bronco at the end of Dr. Strangelove…, or the…

THE 2017 MURIELS HALL OF FAME INDUCTEES

by Dennis Cozzalio

The history of the Muriel Awards stretches aaaalllll the way back to 2006, which means that this coming season will be a special anniversary, marking 10 years of observing the annual quality and achievement of the year in film. (If you don’t know about the Muriels, you can check up on that history here.) The…

Séance on a Wet Afternoon

by Dennis Cozzalio

It was only recently that I saw, for the very first time, Bryan Forbes’ adaptation of Mark McShane’s novel Séance on a Wet Afternoon (1964), and as it was designed to do, it chilled me to the bone. The movie descends like a shroud upon the lives of Myra (Kim Stanley), a would-be psychic who…

MAD MAX: BEYOND FURIOUS

by Dennis Cozzalio

A couple weeks ago I was musing on the 2017 summer movie road ahead and found myself coming up somewhat disappointed in the anticipation department by a season that seemed to have cornered a new and cynically celebrated market based almost entirely on the concept of recycling. Then, with only a smidgen of prompting, I…

SUPERNATURAL? PERHAPS. BALONEY? PERHAPS NOT: DARK SHADOWS (2012)

by Dennis Cozzalio

Five years ago this weekend Tim Burton’s updating of Dark Shadows, the gothic/horror-themed soap opera which ran from 1966 to 1971 on ABC and was a seminal influence on a generation of budding horror fans (including Burton), was released on American movie screens, one weekend after Marvel’s The Avengers was still dictating the imaginations (and…

The Abominable Dr. Phibes

by Dennis Cozzalio

The pomp and circumstance of Felix Mendelssohn’s “War March of the Priests,” as played on a grand pipe organ by a hooded figure seated in an opulent ballroom during the opening credits of The Abominable Dr. Phibes (1971), perfectly sets the tone and timbre of director Robert Fuest’s film, both with playful irreverence and an…