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Circus of Horrors — 4K

by Glenn Erickson

Dr. Rossiter will give you something to scream about!  Sidney Hayers’ Big Top terror flick is luridly oversexed, excessively gruesome — and great fun. Mad plastic surgeon Anton Diffring creates his own harem of facially-restored women who also happen to be criminals. Circus acts provide the ‘accidents’ to remove any that become a liability. It’s…

Enough Rope — Le meurtrier

by Glenn Erickson

Taken from a story by Patricia Highsmith, director Claude Autant-Lara’s murder thriller can boast an attractive cast: Maurice Ronet, Gert Fröbe, Robert Hossein, Marina Vlady and Yvonne Furneaux. The slick production, good music and committed performances can’t be faulted, but the point gets lost amid a lot of yelling. Just the same, Hossein and Fröbe…

Hidden Gems #2 – House of a Thousand Corpses

by Terry Morgan

Late October, when the weather portends the oncoming chill of winter, the night rises earlier and the day grows shorter, when the veil between this world and the next grows thin and the spirits of the dead are welcome to revisit and the most terrifying aspects of our reality are celebrated by figures in dread…

Halloween Haunts

by Randy Fuller

Pairing wine with movies!  See the trailers and hear the fascinating commentary for these movies and many more at Trailers From Hell.  This week, we scare up wine pairings for three movies that fit right into Halloween week. Eye of the Devil is a British horror film from 1966 starring Deborah Kerr, David Niven, Donald…

Made in England: The Films of Powell & Pressburger

by Glenn Erickson

David Hinton’s documentary celebration of the ‘Archers’ team of Michael Powell and Emeric Pressburger is a feature-length rumination filtered through Martin Scorsese’s narration, emphasizing his first awakening to the Power of Film. The collaboration was so rich and the films so impressive that it takes over two hours just for a cursory pass through the…

I Remember Mama

by Glenn Erickson

George Stevens’ back-from-the-war masterpiece honors family vaues and stability with the near-reverent story of a Norwegian immigrant family subsisting in San Francisco of 1910. The filmmaking is fastidious and the performances exemplary — Irene Dunne is the Hanson matriarch, young Barbara Bel Geddes the teenager who wants to write, and Oscar Homolka the overbearing Uncle…