The celebrated filmic designer Saul Bass took on a tall cinematic challenge, directing a cerebral sci-fi thriller designed to rely heavily on his graphic communication technique. He lost the faith of a studio along the way, and perhaps his own sense of ‘directorial imperative.’ What’s left of his unique, post-2001 mindblower barely holds together, even…
Now available in a domestic Blu-ray — if The Phone Company doesn’t suppress it — is one of the smartest, funniest political satires ever, and James Coburn’s finest hour as an actor & project-chooser. Writer-director Theodore J. Flicker’s movie transcends the spy-craze politics of 1967: the White House shrink knows too many Presidential secrets, making…
It’s an ‘alternate future’ time warp tale of the kind that seldom works … but this is an exception. Andrew Legge’s modest found-footage movie serves up a rich dose of sci-fi ideas. What would you do if you could listen in on radio and TV signals from the future? In 1940, two women use their…
Film Noir the Dark Side of Cinema XVII 17th time is charmed! Kino’s long running noir series hits a winner: all three pictures are strict-definition noirs and two of them haven’t been easy to see on video. The set is also an Edward G. Robinson festival, charting three years when the grey-listed star was taking…
William Dieterle’s film of Stephen Vincent Benét’s Faust-like folk tale is both traditional and experimental, part of a brief wave of ambitious, artistic RKO filmmaking. The agrarian horror-show pits an American statesman against what may be the screen’s best-ever Satan, a rustic tempter of farmers facing hard times. The cast is sensational: Edward Arnold, Walter…
Leave it to MGM to begin its dark Depression-Era pre-Code drama amid the top hat, silk gown & marble hall crowd. Talulah Bankhead is the wild heiress who loses her millions and then her self-respect; handsome Robert Montgomery is the pink-slipped ad man injured while driving a truck as a scab. Notorious stage personality Bankhead…
It’s vintage, it’s trashy, it’s Italian. Bellissima! A vampire prowls in a castle, but all emphasis goes to cheesecake coverage of the five sexy showgirls he wants to bite, one of whom is the reincarnation of his original victim. By modern terms the ‘just for adults’ horror content is tame, a little silly, maybe endearing….
Kino reissues Sergio Leone’s least loved epic, a movie he didn’t want to direct but also the one with the most ambitious theme. A murderous Irish rebel tricks a vulgar Mexican bandit into joining a revolution, and they have a rough time dealing with an occupying army that favors massacres of civilians. James Coburn’s dynamiter…
This dramatic masterpiece is perhaps the most accurate and compelling account of American racism in the 1960s, despite being made by two Jewish filmmakers from New York. Filming at the height of the Civil Rights movement, Michael Roemer and Robert M. Young stick to a personal story and refrain from viewing the black experience through…
John Wayne’s final movie is a somber, blood-soaked farewell trimmed with sentimental guest-star cameos and closing-the-book gestures. Wayne is terrific as the gunfighter-at-sunset; Lauren Bacall makes the best impression amid a gallery of old friends that includes James Stewart. Audiences didn’t know what to make of the gory final gunfight … was Wayne giving in…
Hiding in a box marked Noir is one of Universal’s horror-adjacent ’40s mystery thrillers, in a terrific new transfer. The talky adaptation retains some of Edgar Allan Poe’s complicated detective ratiocinations, and spices things up with personalities like prickly Maria Ouspenskaya and star-to-be Maria Montez. Paul Dupin must juggle a mysterious disappearance, plus mutilation murders…
All failed revolutionaries take heart: the Taviani brothers’ downbeat yet creatively magical story of the wrong rebels in the wrong insurrection at the wrong time features a disillusioned fighter-of-the-good-fight determined to betray his comrades and abscond with their money. The three women that support and/or double-cross him are Laura Betti, Lea Massari and Mimsy Farmer….
Warren Beatty and Julie Christie help Robert Altman fashion one of his best pictures, a story of the Building of the West that meanders off in its own revisionist direction. The West, sayeth Altman, is just the evils of the East transplanted into the wilderness, a massive property grab. The free-form direction and cluttered soundtrack…
If any motion picture can still be called important, this one qualifies. Scott Z. Burns and Steve Soderbergh’s superb ‘extrapolated’ pandemic thriller imagines a virus that spreads like wildfire and kills in 48 hours. Well-cast stars fill a variety of crucial roles: Matt Damon, Gwyneth Paltrow, Laurence Fishburne, Jude Law, Marion Cotilliard, Kate Winslet, Jennifer…
It’s a micro-scaled domestic noir: Loretta Young’s frantic housewife is tormented by a deranged husband, an invalid gone paranoid and determined to frame her for murder. Tay Garnett directs to spotlight Young’s increasing distress, with Barry Sullivan providing the psychotic menace. As a ‘woman alone’ picture it’s not bad — in Young’s frenzied state, even…
It’s all about James Cagney — his every expression commands our attention. Writer Mark Hellinger recaps a decade of gangster tropes in a Cliff’s Notes tour through the underworld racketeering of the Prohibition years. The message is that Crime Does Not Pay, yet audiences love Cagney’s reluctant mobster, carefully adjusted to sidestep Production Code no-nos….
Now it can be told — even if it’s total fiction! James Cagney takes his rough & tumble ways to Tokyo to scoop the existence of a world domination conspiracy 11 years before Pearl Harbor! It’s The Front Page meets Yojimbo circa 1945, except that Cagney’s scenarists have Tokyo militarists behaving like Chicago mobsters. Yes,…
Aka Roter Himmel. Christian Petzold’s movie wields a big impact on a deceptively modest scale. The problems of a young man sharing a summer house form a self-contained meditation on How To Live. Thomas Schubert’s Leon is an insufferable jerk who can’t understand why he feels so alienated from others. One of his tolerant housemates…
What is worse, a demon from hell or academic politics? One destroys your soul with unimaginable horror, and the other involves the supernatural. A duel of diabolists is underway at a small English college: Janet Blair’s spell-casting faculty wife employs charms and tokens to promote her reluctant professor husband, Peter Wyngarde, but the battle becomes…
Faith-based madness! This 1952 sci-fi thriller is not a space opera, but a talky propaganda sermon. Peter Graves and Andrea King exchange radio messages with God, who lives on Mars, and a Nazi madman is eavesdropping on them. The show predicts that a Christian revolution will destroy Godless Communism, and advocates the replacement of our…
Big stars, big action and a big sky canvas give Hal Wallis’ super-western everything we love in vintage oaters. Burt Lancaster & Kirk Douglas compare testosterone levels, with Rhonda Fleming and Jo Van Fleet cheering from the sidelines. The fabled showdown gun-down is embellished with VistaVision, Technicolor, and a classic clippety-clop soundtrack by Dimitri Tiomkin,…
This near-perfect Errol Flynn movie became a timeless classic the moment it hit television. The story of boxer Jim Corbett stands as a prime example of studio-based filmmking that knows what the audience likes. It’s so good we don’t mind the thick Irish humor, and we’re forced to shed a tear for Ward Bond, too….
Neo-noir hit big in this breakthrough thriller from the Coen Bros., with a new kind of hardboiled rural naturalism. A lonely dive bar, a rotten marriage and a three-way murder & blackmail scheme criss-cross a quartet of unforgettable characterizations. The festival independent launched the star career of Frances McDormand, but also did great things for…
What’s the Czech word for eccentric? Oldrich Lipský’s comic fantasy ribs 1890s thriller conventions in a story that combines gothic romance, sci-fi marvels and serial thrills. Welcome to the weird world of Czech filmmakers, and their affection for silly characters, low comedy and operatic delirium. We aren’t surprised that it was never imported . ….
The little studio Eagle-Lion Films was at the forefront of noir violence in 1948, skating on the edge to tell the story of a particularly vicious real-life bandit. Richard Basehart excels as the trigger-happy psycho killer whose antisocial estrangement evokes an eerie noir vibe of existential amorality. The filmic approach pioneers the semi-docu style that…
Michael Cimino must have impressed Clint Eastwood — the screenplay for this tough guy crime caper was so good, Eastwood didn’t mind interrupting his progress as a director. Also great fun for Jeff Bridges fans, the show is writer-director Cimino’s least problematic picture — its only aim is non-stop action and agreeably vulgar comedy. And…