In Universal’s long history of memorable monsters, the least personable must surely be the devil-possessed automobile that hits and runs through the southwest in one of the worst reviewed movies of its decade. Nonetheless Elliot Silverstein directs as if he believes it and Jaws-With-a-Car has survived as a goofy artifact of the auto-obsessed culture of the period.
About John Landis
John Landis is the director of Animal House, The Blues Brothers, An American Werewolf In London, Trading Places, Coming To America, Kentucky Fried Movie, Spies Like Us, Three Amigos!, Into The Night and Michael Jackson’s Thriller, and the recent Burke and Hare for Ealing Studios, among many other films and television shows. His documentary Mr. Warmth: The Don Rickles Project premiered on HBO and won an Emmy for Best Music, Comedy or Variety Special. He is also the subject of noted film critic Giulia D’Agnolo Vallan’s recent book “John Landis” and his own book “Monsters in the Movies’ was published to critical and popular acclaim in 2012.