
Lord Love a Duck
George Axelrod’s unclassifiable satire is one of the oddest Hollywood movies, which over the years has engendered passionate support and derision. For some it’s an incisively bizarre portrait of sixties America, for others it’s a sloppily made, undisciplined mess (with more boom mikes visible in full frame than even Play It Again Sam). However, nothing can dim the luster of the incredibly perverse scene where Tuesday Weld’s horny dad (Max Showalter) practically ejaculates while watching his sexy daughter try on sweaters.
About John Landis
John Landis is the director of Animal House, The Blues Brothers, An American Werewolf In London, Trading Places, Coming To America, Kentucky Fried Movie, Spies Like Us, Three Amigos!, Into The Night and Michael Jackson’s Thriller, and the recent Burke and Hare for Ealing Studios, among many other films and television shows. His documentary Mr. Warmth: The Don Rickles Project premiered on HBO and won an Emmy for Best Music, Comedy or Variety Special. He is also the subject of noted film critic Giulia D’Agnolo Vallan’s recent book “John Landis” and his own book “Monsters in the Movies’ was published to critical and popular acclaim in 2012.