Now that we can read the real story of the great silent actor and makeup magician Lon Chaney, the inaccuracies are fairly glaring in this well-received biopic about his career heights and difficult personal life. But it remains a compelling James Cagney movie, allowing the actor to try on different acting styles (and even a…
Some movies just don’t get the respect they deserve, which cues pushy reviewers to sing their praises. Forget everything you’ve read and give this Roman Polanski picture a chance — it’s the classiest Halloween treat ever, a lavish blend of Hammer horror, slapstick comedy and wistful romance — plus a vampire horde more balefully scary…
More than a movie star: America’s one female Hollywood director working in the 1950s receives a four-title boxed set well worth the investment — one noir mini-masterpiece is accompanied by a pair of independent social issue movies better than what the studios were turning out. It’s all thanks to Lupino’s fine dramatic direction. She emphasizes…
This four part, eight hour miniseries turns the fate of a family of German Jews into a sprawling drama that covers all the bases of the holocaust horror. It was strong stuff and a big Emmy winner, boosting the careers of James Woods and Michael Moriarty. His warped charisma as a psychotic Nazi is so…
It’s the formidable Bette Davis once again, in yet another superior William Wyler picture. The Somerset Maugham play is a classy vehicle for a star performance — the nagging legal ‘difficulty’ of plantation wife Leslie Crosbie is intertwined with colonial politics but remains entirely personal. Leslie isn’t exactly a poster girl for the feminist movement….
An American institution turns fifty, and the disc release to mark the event is a very long (almost six hours) compendium of uncut historical segments from the show, without overdubs — Disc one features musical highlights and disc two dramatic and comedic highlights. It’s terrific background material, especially the music disc with the favorite characters…
Otto Preminger and Gene Tierney’s return to the noir fold plays better now than it once did — the performances are impressive and the villain’s diabolical murder scheme is as good as anything that Fantomas or Moriarty ever came up with. Tierney’s pampered wife is the perfect patsy for a con-man with hypnosis skills —…
England’s swingin’ ’60s were more than A Hard Day’s Night, the Mersey Beat and slapstick in the street with Rita Tushingham. Michael Winner got the scene off to an early start with this beach-set tale of ‘clever lads’ that cooperate to score with vacationing girls. Oliver Reed gives a sterling performance as Tinker, a photo-snapper…
The exclusive 4K Ultra-HD club welcomes a worthy new member, Joe Dante’s evergreen horror comedy (and Christmas delight) about a cute furry critter and its 2nd-generation horde of scaly, impish demons. These aren’t Gremlins from the Kremlin, but homegrown domestic terrorist monsters, and Dante contrasts their killer antics with a sentimental parody of small town…
This can’t-lose comedy is ace writer-director Billy Wilder’s first solo directing credit; he and writing partner Charles Brackett concoct a side-splitting crowdpleaser guaranteed to secure his Hollywood future. Ginger Rogers was never more adept, playing a fake 11 year-old in a farce that’s both code-iffy and censor proof; Ray Milland shines as well with the…
The legendary director Raoul Walsh hits The Big Trail one more time for a CinemaScope & stereophonic ‘big star’ cattle drive movie, dodging most cliches but taking a few squarely between the eyes. Star chemistry is what keeps them dogies movin’, with Clark Gable making it look all too easy. Frisky Jane Russell fares well,…
This strange picture goes forth in search of a genre, mainly because its theme — the destruction of the human personality — had previously seen light only in movies about brainwashing and alien possession. The Michael Relph and Basil Dearden team may not be as slick as The Archers, but they do peg this sober…
‘Hands off the Loot!’ Jacques Becker’s crackling Paris crime tale is a time machine to an age of Parisian tough guys in double breasted suits, who never show their cards, and mistreat women in ways the Hollywood production code would never allow. Old thief Jean Gabin’s ill-gotten wealth is threatened by the newcomer creep Lino…
Which Bette Davis movies qualify for greatness? Her flawed character in this costume picture doesn’t conquer all, and it’s historically more sensitive than Gone With the Wind. It’s also William Wyler at the top of his form, creating in just 104 minutes a rich image of a long-gone world. Southern Belle Julie Marsden is…
Two-fisted Hong Kong racketeer Clark Gable goes out on a limb to recover Susan Hayward’s husband, held prisoner in Red China. In a literal pirate vessel armed with a stolen cannon, Gable literally goes to war, risking his smuggling empire by half-kidnapping Michael Rennie’s Hong Kong cop. This lush CinemaScope action-travelogue-romance now comes off as…
Roger Corman’s ‘sick sick sick!’ horror comedy is still a delight, and Olive’s Signature edition accompanies it with some excellent Elijah Drenner extras, including a video interview with the beloved star Dick Miller. Walter Paisley is the patron saint of underachieving artists everywhere, and this special edition has director Corman and writer Charles B. Griffith…
Four out of five psychologists agree that something rotten is alive and well between the sawdust and the high wire in the delirious Circus of Horrors. Lame big-top horror pix are common enough, but this fiendishly entertaining delight would inspire the voyeur-sadist in MisterRogers. Anton Diffring is the steely-eyed medical maniac who populates an insane…
Everyday Noir in Prague: a one-of-a-kind Czech/Brit coproduction teams fine British actors (Anne Heywood, James Booth, Sir Donald Wolfit) with the home-grown star Rudolf Hrusínský, and the result is neither murder nor mayhem, but a real everyday tragedy that might happen anywhere. The bright B&W images chart an unhappy illicit romance, and a petty crime…
Mill Creek and Kit Parker have raided the Columbia vault once again in search of Noir Gold from the ‘fifties. Their selection this time around has a couple of prime gems, several straight crime thrillers and domestic jeopardy tales, and also a couple of interesting Brit imports. They aren’t really ‘Noir’ either, but they’re still…
Giallos run hot and cold, but this one has plenty to recommend it — a serious outlook, a focus on elements other than gore, beautiful cinematography on terrific locations in Venice, and committed performances from Anita Strindberg, Adolfo Celi and an unusual choice, ex- 007 George Lazenby. Director Aldo Lado takes this one in a…
Were movie folk blind in 1960? We kids were so dino- crazy, ANY movie about dinosaurs would have cleaned up at the box office. We’re told that Jack H. Harris didn’t do badly with his third turn at the wickets, despite thunder lizards with a complexion of Jurassic Pla-Doh. The Romper Room dramatics didn’t offend…
One of the strangest ‘uplifting moral tales’ of the 1950s was a huge hit, and launched Rock Hudson as a major star. Criterion’s deluxe presentation puts it on a par with world cinema, mawkish Kitsch-O-Rama and all. Comes with a restored copy of the slightly less head-spinning 1935 version, too. Co-stars Jane Wyman, Barbara Rush,…
From the golden age of Canadian tax shelters comes a horror movie about a fiendish, fearful freighter fraught with frills, I mean, chills. A notable cast — George Kennedy, Richard Crenna, Sally Ann Howes, Kate Reid — shows up for paycheck duty, and must have gone through real torture getting this one in the can….
John Ford’s favorite western of his own work is a curiously gentle, endearingly simple hark-back to the verities of silent filmmaking. Mormons crossing the desert are encumbered by show people and beset by a nasty outlaw family — but don’t worry ’cause the Sons of the Pioneers will still be singing backup for ‘The Chuckawalla…
Alexander Mackendrick’s exhilarating pirate adventure mixes accurate history with a fine story of innocence corrupting the corrupt: Anthony Quinn’s pirate goes soft for a 12 year-old girl, and jeopardizes his highly insecure professional standing. James Coburn is superb as the first mate trying to keep the skullduggery on course with a passel of interfering kids…
There’s nothing like the term ‘Transcendental Style’ to intimidate a filmgoer, but have no fear: Yasujiro Ozu’s tale of a domestic trial is as accessible as I Love Lucy… only more substantial. The transcendental effect is being drawn into Ozu’s minimalist, precisely simplified and mysteriously profound directing style. Ten minutes in you wonder what the…