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CineSavant

Glenn Erickson's disc reviews: classic, cult and forgotten films on Blu-ray, 4K and DVD.

Robert Aldrich promised no-holds barred rough-tough dramas, and his first two Associates & Aldrich productions certainly hit hard. This play adaptation shows its director's strength (no-flinching full shock impact) and weakness (theatrical overplaying) in full measure, but the unrestrained performances of Jack Palance and Eddie Albert are unforgettable. The main event can't have pleased the Pentagon: shooting one's own officer in combat. Plus, Lee Marvin and Richard Jaeckel get in early innings for their future work in Aldrichs's The Dirty Dozen. Attack Robert Aldrich rose from respected assistant director to near-bankability with his two pictures for Hecht-Lancaster, Apache and the remarkably violent Vera Cruz. He signed on with Victor Saville and UA for Kiss Me Deadly and soon had a multi-picture arrangement with Harry Cohn at Columbia. For his own deal at UA he formed a production...
Talk about the Lost Arts -- Animation of various kinds, even stop-motion, is now a major part of filmmaking entertainment. But back in the 1940s the wonder man for 'how'd they do that' Technicolor marvels was George Pal, a grateful displaced European who made marvelous 'trickfilm' animations using little wooden puppets with hundreds of interchangeable pieces. Arnold Leibovit follows up his first Puppetoon disc with a bounteous, bigger collection of animated gems in Blu-ray HD. They're fascinating to study in slow motion -- the volume of craft, patience and artisan labor that goes into these shows is staggering. The Puppetoon Movie Volume 2 Arnold Leibovit follows up his extraordinary, independently produced disc of The Puppetoon Movie with a second volume of restored George Pal short subjects. The Puppetoon Movie was actually a theatrical release compiled in 1986; the disc was released in 2013. The Puppetoon Movie Volume 2 features many more Puppetoons and earlier European stop-motion animated short...
Dino De Laurentiis took a lot of flack for his underwhelming remake of the incomparable 1933 horror classic, which he promoted into a monster-sized hit. Nothing could eclipse the original but the good casting still appeals. An honest ad campaign would have leaned on two points: SEE Jeff Bridges and Charles Grodin carry an insultingly ugly production like real stars! SEE 'newcomer' Jessica Lange play a sexualized ditz so well that she retains her dignity! ...and most importantly, SEE the biggest special effects fraud ever perpetrated on movie screens! Umbrella Entertainment from Australia puts this one back in print, on Blu-ray. King Kong (1976) So far there have been two major remakes of the beyond-stupendous 1933 original King Kong, not to mention scores of imitations, homages, and other random sacrilegious oversized monkey monsters. When the 1976 King Kong arrived I was working for a company aligned with Dino De Laurentiis’s distributor, Paramount, so we were all invited to a...
Now for a real treat for musical fans, a core MGM dazzler with top stars, fully restored and looking incredibly good. Vincente Minnelli's snappy, funny 1948 show isn't ranked among producer Arthur Freed's best but it ought to be. Silly farce gets a high-toned, technically amazing workout as Judy Garland's demure señorita secretly lusts after the ruthless corsair of the title, Mack the Black! Gene Kelly's slippery carny womanizer impersonates her piratical fantasy sex object, and it all ends in clowning and killer musical numbers. Cole Porter's smart songs attest to the great orchestrators and arrangers in MGM's world-class music department; the new full digital restoration makes the movie look and sound better than I've certainly ever seen it. The Pirate I’m pretty much in denial about The Pirate being a non-hit in 1948. It was an instant hit with me, despite the fact that my first long-ago viewing was on a black and white TV. This new release really rocked me back — whether you’ve seen this one on TV, in 16mm or even on...
No, it's not the story of the 18th President of the United States. Kirk Douglas must have been a big hit in Rome, starring in one of the first and best of the Italo epic 'classics' years before musclemen cornered the market. Homer's tale of the husband who took ten years to come back from Troy is given real star power, a splendid production and best of all, an intelligent script. This disc looks a lot better than the ragged earlier DVD, plus it offers a superior Italian language soundtrack. And don't forget Gary Teetzel's recommendation: as an adaptation of The Odyssey, it's right up there with O Brother Where Art Thou! Ulysses (1954) The Italo peplum genre hasn’t been shown the respect it deserves. Most big Italo westerns and horror movies have by now been released multiple times on home video, but only a few samples of the enormous field of sword ‘n’ sandal movies have arrived in any form. When they do, they’re likely to show up...
Region B Blu-ray-capable noir fans have a formidable six-pack of noir crime pictures on tap: a WW2 espionage thriller, two caper pix and the show that launched the notion of a hit man who's both charismatic and psychopathic. The list of leading actors is stellar as well: Glenn Ford, Kim Novak, Eli Wallach, Brian Keith, James Whitmore and Nina Foch. Do you like extras? Like to read about the movies you see? No video extra has been left behind, and PI's big yellow box contains a 120-page book. Plus -- several newly remastered Three Stooges shorts. Don't forget, Noir and Stooges go together like sanity and American politics! Columbia Noir #1 Having long ago exhausted Columbia’s Harryhausen pictures and drawing to a close on the studio’s Hammer Films co-productions, Powerhouse Indicator turns its attention to new filmic territory with Columbia Noir #1, a boxed set of six thrillers of the ’40s and ’50s. Some of these have been on Blu-ray before, but with few extras and...
Finally, a horror shocker that needs to make no excuses! Harry Kümel's interpretation of the Elizabeth Báthory legend excels in all departments and succeeds in each of its aims. Erotic Eurohorror meets Sternbergian visual decadence, making a vivid (and bloody) statement about classic screen exoticism. Given the full glamour treatment, silky Delphine Seyrig is striking as the deceptively congenial vampire queen. It's a rare throwback to the beginnings of erotic Eurohorror -- sex and death, together again! Blue Underground takes the leap to 4K Ultra HD and stacks the extras with key interview content, and a soundtrack CD. Daughters of Darkness This reviewer is a great fan of the early Eurohorror efforts that around 1960 bathed screens with morbid visions more openly erotic than the Hammer hits that ignited the horror boom. More often than not Mario Bava and others focused on a female star with a difficult-to-describe exotic appeal – Barbara Steele, Scilla Gabel, Daliah...